Statue of Gudea, named “Gudea, the man who built the temple, may his life be long”
Unrecorded maker
ca. 2090 BCE · Diorite
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
158 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
386 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Results for "Epitaph for a pious man, from Sépultures"12 records
Institutions answered newest-first by record, interleaved
Ostrakon with a Letter from Joseph to—
Unrecorded maker
580–640 · Pottery fragment with ink inscription
Cleared · Public Domain
liveThe MetSimilar
"How a Braggart was Drowned in a Well", Folio 33v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja
Nizami (d. 1209)
ca. 1430 · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
liveThe MetSimilar
Elements of an Armor
Unrecorded maker
ca. 1480–90 · Steel
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a pious man, from Sépultures et épitaphes, plate 5, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a prelate, from Sépultures et épitaphes, plate 3, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a prelate, plate 3 from "Sépultures et épitaphes"
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a soldier, whos portrait is in an oval medallion, from Sépultures et épitaphes, plate 4, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a woman depicting a female figure outstretched, being shown a portrait of Death by two putti, from Sépultures et épitaphes, plate 2, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a woman depicting a female figure outstretched, being shown a portrait of Death by two putti, plate 2 from "Sépultures et épitaphes"
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a writer, who is depicted in profile in a medallion, flanked by two female figures holding books, from Sépultures et épitaphes, plate 6, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a writer, who is depicted in profile in a medallion, flanked by two female figures holding books, plate 6 from "Sépultures et épitaphes"
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.