
Equestrian portrait of William, Duke of Cumberland (1721–1765)
David Morier (d. 1770)
ca. 1751–60 · Glass, reverse painted and mirrored
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
340 ms. The Metropolitan Museum of Art, Collection API (Open Access)
479 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 228 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Equestrian portrait of William, Duke of Cumberland (1721–1765)
David Morier (d. 1770)
ca. 1751–60 · Glass, reverse painted and mirrored
Cleared · Public Domain
live
Three Designs for a Funerary Monument or Epitaph
Jean Michel Moreau le Jeune (d. 1814)
ca. 1770–90 · Pen and ink, watercolor over graphite
Cleared · Public Domain
live
A soldier of the 2nd Madras Light Cavalry
Yellapah of Vellore
ca. 1835 · Watercolor and gouache on paper
Cleared · Public Domain
live![Confederate Soldier [on the Battlefield at Antietam] by Alexander Gardner, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP274801.jpg)
Confederate Soldier [on the Battlefield at Antietam]
Alexander Gardner (d. 1882)
September 1862 · Albumen silver print from glass negative
Cleared · Public Domain
live
Frank, Frederick & Alice. "The Children of the Battle Field"
Wenderoth, Taylor & Brown
1863 · Albumen silver print
Cleared · Public Domain
live![[Union Soldier and Barber] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP265287.jpg)
[Union Soldier and Barber]
Unknown
1861–65 · Tintype with applied color
Cleared · Public Domain
live
The Promised Land
Franklin Simmons (d. 1913)
1873–74; carved 1874 · Marble
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a soldier, whos portrait is in an oval medallion, from Sépultures et épitaphes, plate 4, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a woman depicting a female figure outstretched, being shown a portrait of Death by two putti, from Sépultures et épitaphes, plate 2, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a woman depicting a female figure outstretched, being shown a portrait of Death by two putti, plate 2 from "Sépultures et épitaphes"
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.