Female Figure
Unrecorded maker
10th century BCE · Ceramic
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
538 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
329 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 58 matching records exist across the two collections.
Results for "Epitaph for a woman depicting a female f"12 records
Institutions answered newest-first by record, interleaved
Female Figure
Olmec artist(s)
1200-900 BCE · Ceramic
Cleared · Public Domain
liveThe MetSimilar
Female Figure
Unrecorded maker
10th century BCE · Ceramic
Cleared · Public Domain
liveThe MetSimilar
Female Figure
Unrecorded maker
12th–9th century BCE · Ceramic
Cleared · Public Domain
liveThe MetSimilar
Female Figure
Unrecorded maker
12th–9th century BCE · Ceramic
Cleared · Public Domain
liveThe MetSimilar
Female Figure
Unrecorded maker
12th–9th century BCE · Ceramic
Cleared · Public Domain
liveThe MetSimilar
Female Figure
Unrecorded maker
12th–9th century BCE · Ceramic
Cleared · Public Domain
liveThe MetSimilar
Figure Studies: Woman holding a Shield, a Dancing Female, and a Priest Supported at an Altar before a Group of Onlookers
Bernardino Poccetti (d. 1612)
1612 · Red chalk
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a woman depicting a female figure outstretched, being shown a portrait of Death by two putti, from Sépultures et épitaphes, plate 2, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a woman depicting a female figure outstretched, being shown a portrait of Death by two putti, plate 2 from "Sépultures et épitaphes"
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a writer, who is depicted in profile in a medallion, flanked by two female figures holding books, from Sépultures et épitaphes, plate 6, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a writer, who is depicted in profile in a medallion, flanked by two female figures holding books, plate 6 from "Sépultures et épitaphes"
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.