
Design for an Epitaph
Jean Lenfant (d. 1674)
1660 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
388 ms. The Metropolitan Museum of Art, Collection API (Open Access)
315 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 296 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for an Epitaph
Jean Lenfant (d. 1674)
1660 · Etching
Cleared · Public Domain
live
Design for a Wall-mounted Epitaph
Anonymous, Italian, 18th century (d. 1800)
ca. 1700–1730 · Pen and brown ink, brush with gray, yellow, and pink wash
Cleared · Public Domain
live
Three Designs for a Funerary Monument or Epitaph
Jean Michel Moreau le Jeune (d. 1814)
ca. 1770–90 · Pen and ink, watercolor over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph of a mausoleum surrounded by drapery held aloft by cherubs, from Mausolées, plate 10, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
published ca. 1651 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph of a mausoleum tapped with a bust of an imperator flanked by two cherubs playing trumpets, from Mausolées, plate 12, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
published ca. 1651 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph of a mausoleum with a sarcophagus on which there is a recumbant statue, from Mausolées, plate 4, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
published ca. 1651 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mausoleum epitaph with two cherubs flanking a medallion depicting the Resurrection of the Dead, from Mausolées, plate 5, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
published ca. 1651 · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mausoleum epitaph with a seated, weeping figure, presented with a skull by a cherub, from Mausolées, plate 1, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mausoleum epitaph with two cherubs flanking a medallion depicting the Resurrection of the Dead, from Mausolées, plate 5, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mausoleum epitaph with two veiled putti weeping, from Mausolées, plate 3, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mausoleum epitaph with two weeping figures, from Mausolées, plate 2, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; first state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Mausoleum in a Landscape
Louis C. Tiffany (d. 1933)
ca. 1930 · Transparent and opaque watercolor, and graphite on paper mounted on paperboard
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.