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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    471 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    329 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 13 matching records exist across the two collections.

Results for "Esther a Suppliant before Ahasuerus"12 records

Institutions answered newest-first by record, interleaved

Cylinder seal by an unrecorded maker, The Metropolitan Museum of Art

Cylinder seal

Unrecorded maker

ca. 18th–17th century BCE · Hematite

Cleared · Public Domain

live
The MetSimilar
Cylinder seal by an unrecorded maker, The Metropolitan Museum of Art

Cylinder seal

Unrecorded maker

ca. 19th–16th century BCE · Hematite

Cleared · Public Domain

live
The MetSimilar
Cylinder seal and modern impression: god with mace and suppliant goddess by an unrecorded maker, The Metropolitan Museum of Art

Cylinder seal and modern impression: god with mace and suppliant goddess

Unrecorded maker

16th–15th century BCE · Hematite

Cleared · Public Domain

live
The MetSimilar
Boar Spear with Double Barrel Wheellock Pistol by an unrecorded maker, The Metropolitan Museum of Art

Boar Spear with Double Barrel Wheellock Pistol

Unrecorded maker

late 16th century · Steel, wood

Cleared · Public Domain

live
The MetSimilar
Esther and Mordecai before King Ahasuerus (Esther 8:1- 12) by Giovanni de' Vecchi, The Metropolitan Museum of Art

Esther and Mordecai before King Ahasuerus (Esther 8:1- 12)

Giovanni de' Vecchi (d. 1615)

1536/7–1615 · Pen and brown ink, brush and brown wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
Cupboard (Beeldenkast) by an unrecorded maker, The Metropolitan Museum of Art

Cupboard (Beeldenkast)

Unrecorded maker

1622 · Oak

Cleared · Public Domain

live
The MetSimilar
Esther before Ahasuerus by Artemisia Gentileschi, The Metropolitan Museum of Art

Esther before Ahasuerus

Artemisia Gentileschi (d. 1654)

1620s · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Queen Esther Approaching the Palace of Ahasuerus by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

Queen Esther Approaching the Palace of Ahasuerus

Claude Lorrain (Claude Gellée) (d. 1682)

1658 · Pen and brown ink, brush and brown wash, heightened with white, over black chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy of Esther Before Ahasuerus, Inviting Him for a Banquet, plate 5 from "The Story of Esther"

Philips Galle (d. 1612)

1564 · Engraving; copy

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Esther swooning before King Ahasuerus

Johann Jakob Frey the Elder (d. 1752)

early 18th century · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Esther a Suppliant before Ahasuerus

Robert Strange (d. 1792)

1767 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Esther a Suppliant before Ahasuerus

Robert Strange (d. 1792)

1767 · Engraving; second state of two

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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