
Chief Etchers and Best Italian (Wilton House Album)
Unrecorded maker
early 18th century binding
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
399 ms. The Metropolitan Museum of Art, Collection API (Open Access)
315 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,392 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Chief Etchers and Best Italian (Wilton House Album)
Unrecorded maker
early 18th century binding
Cleared · Public Domain
live
The Skylark
Samuel Palmer (d. 1881)
1850 · Etching on chine collé; seventh or eighth state of eight
Cleared · Public Domain
live
Frontispiece for the Society of Etchers
Jules-Ferdinand Jacquemart (d. 1880)
1863 · Etching
Cleared · Public Domain
live
The Syndics
Léopold Flameng (d. 1911)
1876 · Etching; proof
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etching and Etchers
Philip Gilbert Hamerton (d. 1894)
1868 · Illustrations: etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchers and Etching: Chapters in the History of Art, Together with Explanations of Modern Artistic Methods
Joseph Pennell (d. 1926)
1919 · Illustrations: photogravure, half tone and process printing used to reproduce etching, drypoint, aquatint, mezzotint; one etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchers and Etching. Chapters in the History of the Art together with Technical Explanations of Modern Artistic Methods
Joseph Pennell (d. 1926)
1919 · Illustrations: electrotype, photogravure and process prints reproducing etching, drypoint, aquatint, mezzotint, and sandpaper ground
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Train and Bathers
Edward Hopper (d. 1967)
1920 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Night in the Park
Edward Hopper (d. 1967)
1921 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Railroad
Edward Hopper (d. 1967)
1922 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lighthouse
Edward Hopper (d. 1967)
1923 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lonely House
Edward Hopper (d. 1967)
1923 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.