No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening stole
Unrecorded maker
1890–1900 · Silk
In copyright
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
173 ms. The Metropolitan Museum of Art, Collection API (Open Access)
350 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 97 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening stole
Unrecorded maker
1890–1900 · Silk
In copyright
live
King Bhojaraja tries in vain to ascertain the whereabouts of the pearl from the four travelling companions, from a Tuti-nama (Tales of a Parrot): Twelfth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening stole
Liberty & Co. (d. 2050)
1900–1910 · silk
In copyright
live
Velvet panel with four youths smelling flowers
Unrecorded maker
1625–50 · Velvet, Silk: velvet, brocaded, and pile-warp substitution; gilt- and silver-metal thread
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening stole
Unrecorded maker
1900–1910 · Silk
In copyright
live
Krishna Steals the Clothes of the Milkmaids and Expounds on the Virtue of Trees, from a Braj Bhagavata Purana
Unrecorded maker
c. 1650 · Painting, Gum tempera on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening stole
Unrecorded maker
ca. 1910 · Silk
In copyright
live
Two Studies of a Flayed Man (recto)
Bartolommeo da Arezzo
1554 · Drawing, pen and brown ink and brush and brown wash over black chalk; incised (both figures) and pricked (left figure)
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening stole
Unrecorded maker
ca. 1910 · silk, metal
In copyright
live
The Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer
Praxiteles
c. 350–200 BCE · Sculpture, bronze, copper, and stone inlay
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening stole
Unrecorded maker
1910–20 · Silk
In copyright
live
Study of a Flayed Torso (verso)
Bartolommeo da Arezzo
1554 · Drawing, pen and brown ink and brush and brown wash over traces of black chalk; incised
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.