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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    2526 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    294 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 31 matching records exist across the two collections.

Results for "Every One His Hobby, Plate 2d"12 records

Institutions answered newest-first by record, interleaved

Philip Hobby Knight, after Holbein by John Smart Jr., The Metropolitan Museum of Art

Philip Hobby Knight, after Holbein

John Smart Jr. (d. 1809)

1798 · Graphite

Cleared · Public Domain

live
The MetSimilar
Plate 26  from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1810 (published 1863) · Etching, burnished lavis, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 42: Robert Macaire's boarding school, from 'Caricaturana,' published in Les Robert Macaires by Honoré Daumier, The Metropolitan Museum of Art

Plate 42: Robert Macaire's boarding school, from 'Caricaturana,' published in Les Robert Macaires

Honoré Daumier (d. 1879)

1838 · Color lithograph on wove paper; third state of three (Delteil)

Cleared · Public Domain

live
The MetSimilar
Section of the Grizzly Giant with Galen Clark, Mariposa Grove, Yosemite by Carleton E. Watkins, The Metropolitan Museum of Art

Section of the Grizzly Giant with Galen Clark, Mariposa Grove, Yosemite

Carleton E. Watkins (d. 1916)

1865–66, printed ca. 1876 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Tutocanula, or El Capitan, 3600 feet, Yosemite Valley, Mariposa County, California by Carleton E. Watkins, The Metropolitan Museum of Art

Tutocanula, or El Capitan, 3600 feet, Yosemite Valley, Mariposa County, California

Carleton E. Watkins (d. 1916)

1865–66 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Equestrian Portrait of Louis de Lorraine, Prince of Phalsbourg

Jacques Callot (d. 1635)

ca. 1624 · Brush and brown wash over black chalk; the outlines of the horse and rider are pricked for transfer and partially indented

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Every One His Hobby, Plate 1st

William Heath ('Paul Pry') (d. 1840)

April 24, 1819 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Every One His Hobby, Plate 2d

William Heath ('Paul Pry') (d. 1840)

April 24, 1819 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Water Meadow

Sir Francis Seymour Haden (d. 1910)

1859 · Etching; first state of two (Harrington); third state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Doorplate, knob, and lock for Guaranty Building, Buffalo

Louis Henry Sullivan (d. 1924)

ca. 1895 · Cast iron

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"20th Century Limited"

Henry Dreyfuss (d. 1972)

1938 · Earthenware

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

8 Shoeing Smith, Australia

Carl Andre (d. 2024)

1973 · Galvanized steel sheet

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.