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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    309 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Ewer and basin"7 records

Institutions answered newest-first by record, interleaved

Ewer and Basin Pair by Chantilly Porcelain Factory, The Cleveland Museum of Art

Ewer and Basin Pair

Chantilly Porcelain Factory

c. 1770 · Ceramic, soft-paste porcelain

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Basin by Chantilly Porcelain Factory, The Cleveland Museum of Art

Basin

Chantilly Porcelain Factory

c. 1770 · Ceramic, soft-paste porcelain

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ewer by Chantilly Porcelain Factory, The Cleveland Museum of Art

Ewer

Chantilly Porcelain Factory

c. 1770 · Ceramic, soft-paste porcelain

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Covered Jug and Basin by Meissen Porcelain Factory, The Cleveland Museum of Art

Covered Jug and Basin

Meissen Porcelain Factory (d. 1710)

c. 1765 · Ceramic, porcelain with gilt metal mounts

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Parrot Addresses Khujasta at the Beginning of the Twentieth Night, from a Tuti-nama (Tales of a Parrot) by an unrecorded maker, The Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Twentieth Night, from a Tuti-nama (Tales of a Parrot)

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The parrot addresses Khujasta at the beginning of the thirty-seventh night, from a Tuti-nama (Tales of a Parrot) by an unrecorded maker, The Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the thirty-seventh night, from a Tuti-nama (Tales of a Parrot)

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Passion: Christ Before Pilate by Martin Schongauer, The Cleveland Museum of Art

The Passion: Christ Before Pilate

Martin Schongauer (d. 1491)

c. 1480 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.