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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    349 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Ewer with Parrots"6 records

Institutions answered newest-first by record, interleaved

Water Ewer for Rituals (Kundika) with Incised Parrot Design by an unrecorded maker, The Cleveland Museum of Art

Water Ewer for Rituals (Kundika) with Incised Parrot Design

Unrecorded maker

1100s · Ceramic, stoneware with celadon glaze, incised and carved decoration

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Water Ewer for Rituals with Incised Parrot Design (lid) by an unrecorded maker, The Cleveland Museum of Art

Water Ewer for Rituals with Incised Parrot Design (lid)

Unrecorded maker

1100s · Ceramic, stoneware with celadon glaze, incised and carved decoration

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Water Ewer for Rituals with Incised Parrot Design by an unrecorded maker, The Cleveland Museum of Art

Water Ewer for Rituals with Incised Parrot Design

Unrecorded maker

1100s · Ceramic, stoneware with celadon glaze, incised and carved decoration

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The parrot addresses Khujasta at the beginning of the thirty-seventh night, from a Tuti-nama (Tales of a Parrot) by an unrecorded maker, The Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the thirty-seventh night, from a Tuti-nama (Tales of a Parrot)

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Parrot Addresses Khujasta at the Beginning of the Twentieth Night, from a Tuti-nama (Tales of a Parrot) by an unrecorded maker, The Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Twentieth Night, from a Tuti-nama (Tales of a Parrot)

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Repenting his conduct, ‘Ubaid falls at the feet of his parents, from a Tuti-nama (Tales of a Parrot): Forty-second Night by an unrecorded maker, The Cleveland Museum of Art

Repenting his conduct, ‘Ubaid falls at the feet of his parents, from a Tuti-nama (Tales of a Parrot): Forty-second Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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