Campo Sant'Angelo, Venice
Canaletto (Giovanni Antonio Canal) (d. 1768)
1730s · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
511 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
307 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 32,454 matching records exist across the two collections.
Results for "Examples of the Architecture of Venice,"12 records
Institutions answered newest-first by record, interleaved
The Island of San Michele, Venice
Francesco Guardi (d. 1793)
1770s · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Loggia of the Ducal Palace, Venice
John Ruskin (d. 1900)
1849–50 · Watercolor over graphite
Cleared · Public Domain
liveThe MetSimilar
![[Night View of the Grand Canal, Venice] by Carlo Naya, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-13004-001.jpg)
[Night View of the Grand Canal, Venice]
Carlo Naya (d. 1882)
ca. 1875 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
Venice
John Singer Sargent (d. 1925)
1880–82 · Watercolor and graphite on white wove paper
Cleared · Public Domain
liveThe MetSimilar
Venice
John Singer Sargent (d. 1925)
ca. 1903 · Watercolor, gouache, and graphite on white wove paper
Cleared · Public Domain
liveThe MetSimilar
Venice: Night of the Festival of the Redeemer
Henri-Edmond Cross (Henri-Edmond Delacroix) (d. 1910)
1903 · Watercolor over pencil on white wove paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)
John Ruskin (d. 1900)
1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening gloves
Gant Venice
1930–39 · Silk
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening gloves
Gant Venice
1930–39 · Silk
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gloves
Gant Venice
1930–39 · Silk
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Coloration of the Grand Canal, Venice
Nicolás García Uriburu (d. 2016)
1968/1980s · Chromogenic print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.