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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    454 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 57 matching records exist across the two collections.

Results for "Exchange Place"10 records

Institutions answered newest-first by record, interleaved

Vase by an unrecorded maker, The Cleveland Museum of Art

Vase

Unrecorded maker

c. late 600s–early 700s · Silver, silver with gilded foil

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portrait of an Official by an unrecorded maker, The Cleveland Museum of Art

Portrait of an Official

Unrecorded maker

early 1800s · Painting, Hanging scroll; ink and color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Shrine Figure (misi or mishi) by an unrecorded maker, The Cleveland Museum of Art

Shrine Figure (misi or mishi)

Unrecorded maker

late 1800s-early 1900s · Sculpture, Wood and cotton

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Court Lady with Tall Headdress: Tomb Figurine by an unrecorded maker, The Cleveland Museum of Art

Court Lady with Tall Headdress: Tomb Figurine

Unrecorded maker

c. 700–750 · Sculpture, earthenware with polychromy

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A woman mistakes a cow for the Angel of Death, from a Lights of Canopus (Anwar-i Suhaili) of Kashifi (Iranian, d. 1504) by an unrecorded maker, The Cleveland Museum of Art

A woman mistakes a cow for the Angel of Death, from a Lights of Canopus (Anwar-i Suhaili) of Kashifi (Iranian, d. 1504)

Unrecorded maker

c. 1610 · Painting, Gum tempera on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mountain Market, Clear with Rising Mist by an unrecorded maker, The Cleveland Museum of Art

Mountain Market, Clear with Rising Mist

Unrecorded maker

early 1500s · Painting, Hanging scroll; ink on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Point Judith, Rhode Island by Martin Johnson Heade, The Cleveland Museum of Art

Point Judith, Rhode Island

Martin Johnson Heade (d. 1904)

1867–68 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Armor for Man and Horse with Völs-Colonna Arms by an unrecorded maker, The Cleveland Museum of Art

Armor for Man and Horse with Völs-Colonna Arms

Unrecorded maker

c. 1575 · Arms and Armor, steel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Four Witches (Four Naked Women) by Albrecht Dürer, The Cleveland Museum of Art

The Four Witches (Four Naked Women)

Albrecht Dürer (d. 1528)

1497 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Carpet by an unrecorded maker, The Cleveland Museum of Art

Carpet

Unrecorded maker

1500s · Carpet, senna knot: wool and cotton

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.