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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    310 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    289 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 69 matching records exist across the two collections.

Results for "Exhibition Room, Somerset House"12 records

Institutions answered newest-first by record, interleaved

Drawing from Life at the Royal Academy, Somerset House by Thomas Rowlandson, The Metropolitan Museum of Art

Drawing from Life at the Royal Academy, Somerset House

Thomas Rowlandson (d. 1827)

January 1, 1808 · Hand-colored etching and aquatint

Cleared · Public Domain

live
The MetSimilar
Drawing from Life at the Royal Academy, Somerset House by Thomas Rowlandson, The Metropolitan Museum of Art

Drawing from Life at the Royal Academy, Somerset House

Thomas Rowlandson (d. 1827)

January 1, 1808 · Hand-colored etching and aquatint; early state

Cleared · Public Domain

live
The MetSimilar
Drawing from Life at the Royal Academy, Somerset House by Thomas Rowlandson, The Metropolitan Museum of Art

Drawing from Life at the Royal Academy, Somerset House

Thomas Rowlandson (d. 1827)

January 1, 1808 · Hand-colored etching and aquatint

Cleared · Public Domain

live
The MetSimilar
Exhibition Room, Somerset House by Thomas Rowlandson, The Metropolitan Museum of Art

Exhibition Room, Somerset House

Thomas Rowlandson (d. 1827)

January 1, 1808 · Hand-colored etching and aquatint

Cleared · Public Domain

live
The MetSimilar
Exhibition Room, Somerset House by Thomas Rowlandson, The Metropolitan Museum of Art

Exhibition Room, Somerset House

Thomas Rowlandson (d. 1827)

January 1, 1808 · Etching and aquatint, hand colored

Cleared · Public Domain

live
The MetSimilar
Exhibition Room, Somerset House by Thomas Rowlandson, The Metropolitan Museum of Art

Exhibition Room, Somerset House

Thomas Rowlandson (d. 1827)

April 1, 1808 · Etching and aquatint; proof before letters

Cleared · Public Domain

live
The MetSimilar
The Exhibition "Stare-Case" by Thomas Rowlandson, The Metropolitan Museum of Art

The Exhibition "Stare-Case"

Thomas Rowlandson (d. 1827)

1811? · Etching, hand colored

Cleared · Public Domain

live
The MetSimilar
Portraits des premiers fondateurs de l'Académie Anglaise des Beaux-Arts (Portraits of the founding members of the Royal Academy of Arts, London), from "L'Univers Illustré" by Mason Jackson, The Metropolitan Museum of Art

Portraits des premiers fondateurs de l'Académie Anglaise des Beaux-Arts (Portraits of the founding members of the Royal Academy of Arts, London), from "L'Univers Illustré"

Mason Jackson (d. 1903)

October 2, 1862 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Flower study by John Jessop Hardwick, The Metropolitan Museum of Art

Flower study

John Jessop Hardwick (d. 1917)

1866 · Watercolor

Cleared · Public Domain

live
The MetSimilar
Female figure from an obu (house of images) by Igbo artist, The Metropolitan Museum of Art

Female figure from an obu (house of images)

Igbo artist

Late 19th century · Wood, pigment

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Burning of the New York Crystal Palace, October 5th, 1858, During its Occupation for the Annual Fair of the American Institute

Currier & Ives (d. 1907)

1858 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mask

Stephen Jones (d. 9999)

2006 · feathers, plastic, crystal, synthetic, wool

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.