Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    369 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    286 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 359 matching records exist across the two collections.

Results for "Exterior View of the Entrance of Barnard"9 records

Institutions answered newest-first by record, interleaved

View of the entrance to the Palacio de Seteais, Sintra by Clementine de Brelaz, The Metropolitan Museum of Art

View of the entrance to the Palacio de Seteais, Sintra

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chine collé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
Fortifications, Manassas by Barnard & Gibson, The Metropolitan Museum of Art

Fortifications, Manassas

Barnard & Gibson (d. 1870)

March 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Quaker Gun, Centreville, Virginia by George N. Barnard, The Metropolitan Museum of Art

Quaker Gun, Centreville, Virginia

George N. Barnard (d. 1902)

March 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Exterior View of Fort Sumpter by George N. Barnard, The Metropolitan Museum of Art

Exterior View of Fort Sumpter

George N. Barnard (d. 1902)

1860s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Fort Sumpter by George N. Barnard, The Metropolitan Museum of Art

Fort Sumpter

George N. Barnard (d. 1902)

1860s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Interior View of Fort Sumpter by George N. Barnard, The Metropolitan Museum of Art

Interior View of Fort Sumpter

George N. Barnard (d. 1902)

1860s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Photographic Views of Sherman's Campaign by George N. Barnard, The Metropolitan Museum of Art

Photographic Views of Sherman's Campaign

George N. Barnard (d. 1902)

1860s

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Entrance Between the Pavillions at Stowe, Buckinghamshire

Jacques Rigaud (d. 1754)

1733–34 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Exterior View of the Entrance of Barnard's Cloisters

Edward Howard Suydam (d. 1940)

1927 · Charcoal

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.