
Project for a Church Façade
Anonymous, Italian, 17th century (d. 1700)
17th century · Pen and brown ink, washed, and tinted with pink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1558 ms. The Metropolitan Museum of Art, Collection API (Open Access)
308 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 348 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Project for a Church Façade
Anonymous, Italian, 17th century (d. 1700)
17th century · Pen and brown ink, washed, and tinted with pink
Cleared · Public Domain
live
Façade of a Gothic Revival Church
Henry Keene (d. 1776)
1745–76 · Pen and black ink, brush and wash and watercolor
Cleared · Public Domain
live
Elevation of West Façade of a Church
Anonymous, French, 18th century (d. 1800)
18th century · Pen and black ink, brush and gray wash; scale in pieds at bottom
Cleared · Public Domain
live
Architectural Rendering of a Gothic Revival Church
Anonymous, British, 19th century (d. 1900)
1850–70 · Watercolor
Cleared · Public Domain
live
Façade of a Commercial Building, Venetian Gothic Style
Anonymous, British, 19th century (d. 1900)
ca. 1870 · Watercolor
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance to First Congregational Church, Broadway, New York
David H. Arnot (d. 1849)
1845 · Lithograph with tint stones
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior of a Gothic Church
Jan Hendrik Verheyen (d. 1846)
early 19th century · Black chalk, brush and gray ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gothic Revival Armchair
Gustav Friedrich Hetsch (d. 1864)
1854–55 · Mahogany, beech
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Gothic Revival Church (St. John's), Bowdoin Street, Boston, Massachusetts]
Walker Evans (d. 1975)
1930–31 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Side Façade of Greek Revival Church]
Walker Evans (d. 1975)
1930–31 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Side Façade of Greek Revival Church]
Walker Evans (d. 1975)
1930–31 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Façade of Large Gothic Revival Building, Convent Vicinity, Louisiana]
Walker Evans (d. 1975)
March 1935 · Film negative
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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