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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    645 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 41 matching records exist across the two collections.

Results for "Façade of a triumphal monument with thre"12 records

Institutions answered newest-first by record, interleaved

Fragmentary marble head of a helmeted soldier by an unrecorded maker, The Metropolitan Museum of Art

Fragmentary marble head of a helmeted soldier

Unrecorded maker

ca. 69–79 CE · Marble

Cleared · Public Domain

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The MetSimilar
Frieze with Three Horsemen by Polidoro da Caravaggio, The Metropolitan Museum of Art

Frieze with Three Horsemen

Polidoro da Caravaggio (d. 1548)

1530s · Pen and brown ink, brush and brown and gray wash.

Cleared · Public Domain

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The MetSimilar
Palatium Claudie Imperatoris, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Palatium Claudie Imperatoris, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving

Cleared · Public Domain

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The MetSimilar
Palatium M. Agrippa, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Palatium M. Agrippa, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving

Cleared · Public Domain

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The MetSimilar
Partial View of a Monument [Mercurii Templum], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles" by Lambert Suavius, The Metropolitan Museum of Art

Partial View of a Monument [Mercurii Templum], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles"

Lambert Suavius (d. 1576)

1554 · Etching

Cleared · Public Domain

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The MetSimilar
Ruin of a Palace Façade [Palatium M. Agrippa], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles" by Lambert Suavius, The Metropolitan Museum of Art

Ruin of a Palace Façade [Palatium M. Agrippa], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles"

Lambert Suavius (d. 1576)

1554 · Etching

Cleared · Public Domain

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The MetSimilar
Façade of a triumphal monument with three scenes depicting deeds of Pope Clement VIII, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598 by Guido Reni, The Metropolitan Museum of Art

Façade of a triumphal monument with three scenes depicting deeds of Pope Clement VIII, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598

Guido Reni (d. 1642)

1598 · Etching

Cleared · Public Domain

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The MetSimilar
Plate 12: Triumphal arch, elevation of the back facade, surmounted with the arms of Ferdinand and decorated with five mythical or heroic scenes; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' by Johannes Meursius, The Metropolitan Museum of Art

Plate 12: Triumphal arch, elevation of the back facade, surmounted with the arms of Ferdinand and decorated with five mythical or heroic scenes; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Johannes Meursius (d. 1699)

1636 · Engraving

Cleared · Public Domain

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The MetSimilar
Triumphal arch erected in honor of Cardinal Mazarin after the Treaty of the Pyrénées by François Chauveau, The Metropolitan Museum of Art

Triumphal arch erected in honor of Cardinal Mazarin after the Treaty of the Pyrénées

François Chauveau (d. 1676)

ca. 1664–65 · Etching

Cleared · Public Domain

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The MetSimilar
Model for a Papal monument by Peter Anton von Verschaffelt, The Metropolitan Museum of Art

Model for a Papal monument

Peter Anton von Verschaffelt (d. 1793)

ca. 1740–50 · Terracotta

Cleared · Public Domain

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The MetSimilar
Architectural Capriccio with a Monumental Arch by Jean Nicolas Servandoni, The Metropolitan Museum of Art

Architectural Capriccio with a Monumental Arch

Jean Nicolas Servandoni (d. 1766)

18th century · Gouache with touches of gum arabic

Cleared · Public Domain

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The MetSimilar
Design for a Festival Monument: Base Holds a Small Orchestra; Triumphal Arch Surmounted by a Cartouche-Decorated Pyramid with Figure of Fame, below, a Royal Crown by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Design for a Festival Monument: Base Holds a Small Orchestra; Triumphal Arch Surmounted by a Cartouche-Decorated Pyramid with Figure of Fame, below, a Royal Crown

Anonymous, Italian, 18th century (d. 1800)

18th century · Pen, brown ink with gray wash

Cleared · Public Domain

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The MetSimilar

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