
View of a Palace Garden with a Central Pond Surrounded by Classical Architecture (Tapestry or Stage Design?)
Daniel Marot the Elder (d. 1752)
ca. 1700–1720 · Pen and black ink and watercolor
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
295 ms. The Metropolitan Museum of Art, Collection API (Open Access)
407 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 235 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of a Palace Garden with a Central Pond Surrounded by Classical Architecture (Tapestry or Stage Design?)
Daniel Marot the Elder (d. 1752)
ca. 1700–1720 · Pen and black ink and watercolor
Cleared · Public Domain
live
Padua: The River Bacchiglione and the Porta Portello
Canaletto (Giovanni Antonio Canal) (d. 1768)
ca. 1750–60 · Pen and brown ink, gray wash
Cleared · Public Domain
live
Partial curtain, blue-resist textile
Unrecorded maker
ca. 1725–75 · Cotton, painted and block-printed resist, dyed
Cleared · Public Domain
live
Upright (Cabinet) Piano
M. & W. Stodart
1801 · Wood, various
Cleared · Public Domain
live
Mill Near the Grand Chartreuse, Dauphiny, part XI, plate 54 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1816 · Etching and mezzotint; first state of four
Cleared · Public Domain
live
View of the Capitol
Charles W. Burton (d. 1849)
1824 · Watercolor, pen and black ink, and gum arabic on off-white wove paper
Cleared · Public Domain
live
CAPITOL. / WASHINGTON
John & William Ridgway (d. 1830)
ca. 1830 · Earthenware, transfer-printed
Cleared · Public Domain
live
View of University Park looking towards New College, Oxford
William Turner of Oxford (d. 1862)
after 1825 · Watercolor over graphite
Cleared · Public Domain
live![[Massachussetts State House, Boston] by John Rogers & Son, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ad/web-large/148810.jpg)
[Massachussetts State House, Boston]
John Rogers & Son (d. 1842)
ca. 1815–ca. 1842 · Earthenware, transfer-printed
Cleared · Public Domain
live![[Boston State House] by Enoch Wood & Sons, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ad/web-large/24445.jpg)
[Boston State House]
Enoch Wood & Sons (d. 1846)
ca. 1818–ca. 1846 · Earthenware, transfer-printed
Cleared · Public Domain
live
VIEW of the/ CAPITOL AT/ WASHINGTON/ W.R.
William Ridgway & Co. (d. 1854)
ca. 1840–ca. 1854 · Earthenware, transfer-printed
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fabric Design, domed building and tree motif
Stuart Davis (d. 1964)
ca. 1934 · Black ink over graphite
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.