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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    337 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Face Urn"8 records

Institutions answered newest-first by record, interleaved

Face Urn by an unrecorded maker, The Cleveland Museum of Art

Face Urn

Unrecorded maker

25–50 CE · Ceramic, reddish ware with gray burnished slip

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Urn Figure Head Fragment by an unrecorded maker, The Cleveland Museum of Art

Urn Figure Head Fragment

Unrecorded maker

c. 200–500 CE · Sculpture, earthenware

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The River God Tiber (Study for a fresco, Miracle of the Snow, or the Foundation of Santa Maria Maggiore, Rome in the Canigiani chapel of S. Felicita, Florence) by Bernardino Poccetti, The Cleveland Museum of Art

The River God Tiber (Study for a fresco, Miracle of the Snow, or the Foundation of Santa Maria Maggiore, Rome in the Canigiani chapel of S. Felicita, Florence)

Bernardino Poccetti (d. 1612)

1589 · Drawing, black chalk on antique laid paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Doorway (Portal) by an unrecorded maker, The Cleveland Museum of Art

Doorway (Portal)

Unrecorded maker

late 1400s · Sculpture, gray sandstone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Adoration of the Magi (recto) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Adoration of the Magi (recto)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Suite of Vases by Jacques François Saly, The Cleveland Museum of Art

Suite of Vases

Jacques François Saly (d. 1776)

1746 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Text with Illustrated Border (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Text with Illustrated Border (verso)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.