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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    799 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    390 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,512 matching records exist across the two collections.

Results for "Face of a Man with Part of a Short Echel"12 records

Institutions answered newest-first by record, interleaved

Face of a Man with Part of a Short Echeloned Wig by an unrecorded maker, The Metropolitan Museum of Art

Face of a Man with Part of a Short Echeloned Wig

Unrecorded maker

ca. 2200–2100 BCE · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Stela of a Man by an unrecorded maker, The Metropolitan Museum of Art

Stela of a Man

Unrecorded maker

ca. 2030–1981 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Fragment with the head of a man by an unrecorded maker, The Metropolitan Museum of Art

Fragment with the head of a man

Unrecorded maker

ca. 1981–1650 B.C. · Faience

Cleared · Public Domain

live
The MetSimilar
Head of a Man with a Round Wig by an unrecorded maker, The Metropolitan Museum of Art

Head of a Man with a Round Wig

Unrecorded maker

ca. 1625–1500 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Marble head of a man from a grave stele by an unrecorded maker, The Metropolitan Museum of Art

Marble head of a man from a grave stele

Unrecorded maker

ca. 325 BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Mask of a man with short curly hair and long sideburns by an unrecorded maker, The Metropolitan Museum of Art

Mask of a man with short curly hair and long sideburns

Unrecorded maker

probably late 1st century CE · Plaster, largely modern paint

Cleared · Public Domain

live
The MetSimilar
Upper part of a marble torso of a man by an unrecorded maker, The Metropolitan Museum of Art

Upper part of a marble torso of a man

Unrecorded maker

1st or 2nd century CE · Marble, Island

Cleared · Public Domain

live
The MetSimilar
Man Shading His Face with a Tricorne by Giovanni Paolo Panini, The Metropolitan Museum of Art

Man Shading His Face with a Tricorne

Giovanni Paolo Panini (d. 1765)

1691–1765 · Brush and pale brown wash, over graphite

Cleared · Public Domain

live
The MetSimilar
The Sorcerer, a man with a gun confronting a bird with the face of a man by José Guadalupe Posada, The Metropolitan Museum of Art

The Sorcerer, a man with a gun confronting a bird with the face of a man

José Guadalupe Posada (d. 1913)

ca. 1900–1910 · Zincograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relief Fragment with Part of the Head of a Man

Unrecorded maker

ca. 1961–1917 B.C. · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Man with Pink Face, New Guinea

Irving Penn (d. 2009)

1970, printed August 1978 · Platinum-palladium print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Man with Pink Face, New Guinea

Irving Penn (d. 2009)

1970, printed 1993 · Silver dye bleach print

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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