
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci (d. 1519)
1496 · Pen and brown ink (recto and verso)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
435 ms. The Metropolitan Museum of Art, Collection API (Open Access)
382 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 64 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci (d. 1519)
1496 · Pen and brown ink (recto and verso)
Cleared · Public Domain
live
Neptune
Pietro da Barga (d. 1588)
ca. 1580 · Copper alloy with light brown patina under a verdigris patina.
Cleared · Public Domain
live
Jupiter, seated above two eagles and embracing Cupid, a round composition from a series of mythological scenes after Polidoro da Caravaggio
Cherubino Alberti (Zaccaria Mattia) (d. 1615)
ca. 1590 · Engraving
Cleared · Public Domain
live
Jupiter
Benvenuto Cellini (d. 1571)
late 16th century · Bronze
Cleared · Public Domain
live
Facsimile of Albrecht Dürer’s Third Knot
Ralf Leopold von Retberg-Wettbergen (d. 1885)
1865 · Lithograph on handmade paper
Cleared · Public Domain
live
Cornu (reproduction)
Unrecorded maker
late 19th century · metal, wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Facsimile Reproduction of La Muse Erato (The Muse Erato)
Reichsdruckerei (d. 1951)
19th century · Facsimile of etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Facsimile Reproduction of Le Bal Masque, from a Suite of Two Plates including Le Bal Masqué and Le Festin Royale
Reichsdruckerei (d. 1951)
19th century · Facsimile of etching and engraving; fourth state of four (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Facsimile Reproduction of Le Bal Paré
Reichsdruckerei (d. 1951)
19th century · Facsimile of etching and engraving; fourth state of four (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Facsimile Reproduction of The Concert
Reichsdruckerei (d. 1951)
19th century · Facsimile of etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Facsimile Reproduction of Le Couché de la Mariée (The Sleep of the Bride)
Jean Michel Moreau le Jeune (d. 1814)
1920 · Facsimile reproduction of etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Facsimile Reproduction of Jupiter and Danae
Alfred Stix
20th century · Crayon-manner engraving in color
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.