
Facsimile Painting of Geese, Tomb of Nefermaat and Itet
Charles K. Wilkinson (d. 1986)
ca. 2575–2551 BCE · Tempera on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
501 ms. The Metropolitan Museum of Art, Collection API (Open Access)
286 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 300 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Facsimile Painting of Geese, Tomb of Nefermaat and Itet
Charles K. Wilkinson (d. 1986)
ca. 2575–2551 BCE · Tempera on canvas
Cleared · Public Domain
live
Facsimile painting of a jar from the Tomb of Meketre
Charles K. Wilkinson (d. 1986)
ca. 1981–1975 B.C. · Tempera on Paper
Cleared · Public Domain
live
Facsimile Painting of a Foreigner, Tomb of Intef
Nina de Garis Davies (d. 1965)
ca. 1473–1458 BCE · Tempera on paper
Cleared · Public Domain
live
Facsimile painting from the tomb of Rekhmire
Nina de Garis Davies (d. 1965)
ca. 1479–1425 BCE · Tempera on Paper
Cleared · Public Domain
live
Foreigners, Tomb of Menkheperraseneb
Nina de Garis Davies (d. 1965)
1925; original ca. 1479–1425 BCE · Tempera on paper
Cleared · Public Domain
live
Gifts from the Keftiu, Tomb of Rekhmire
Nina de Garis Davies (d. 1965)
ca. 1479–1425 BCE · Tempera on Paper
Cleared · Public Domain
live
Boat Carrying Captives from Nubia, Tomb of Huy
Charles K. Wilkinson (d. 1986)
1922–1923; original ca. 1347–1318 BCE · Tempera on paper
Cleared · Public Domain
live
Facsimile, Siptah (KV 47)
E. Harold Jones
1909–1910; original ca. 1188 BCE · Tempera on Paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Facsimile painting from the tomb of Rekhmire
Nina de Garis Davies (d. 1965)
ca. 1504–1396 BCE · Paper, tempera paint, ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Facsimile Detail from the Book of Gates, Tomb of Haremhab
Lancelot Crane (d. 1918)
1910–1911; original ca. 1314–1300 BCE · Tempera on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Facsimile Detail of the Book of Gates, Tomb of Haremhab
Lancelot Crane (d. 1918)
1910–1911; original ca. 1314–1300 BCE · Tempera on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Facsimile of the Apse Painting in Tomb 25, Bagawat Necropolis, Kharga Oasis
Charles K. Wilkinson (d. 1986)
2nd century CE or later · Tempera on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.