Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1896 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    306 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "Faience amulet of a recumbent lion or sp"11 records

Institutions answered newest-first by record, interleaved

Taweret Amulet by an unrecorded maker, The Metropolitan Museum of Art

Taweret Amulet

Unrecorded maker

664–332 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
The Goddess Taweret with a Feline Head by an unrecorded maker, The Metropolitan Museum of Art

The Goddess Taweret with a Feline Head

Unrecorded maker

664–332 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Faience amulet of a ram-headed Amun-re or Khnum by an unrecorded maker, The Metropolitan Museum of Art

Faience amulet of a ram-headed Amun-re or Khnum

Unrecorded maker

664–334 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Aegis of Sakhmet or Bastet by an unrecorded maker, The Metropolitan Museum of Art

Aegis of Sakhmet or Bastet

Unrecorded maker

664–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Aegis of Sakhmet or Bastet by an unrecorded maker, The Metropolitan Museum of Art

Aegis of Sakhmet or Bastet

Unrecorded maker

664–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Faience aegis pectoral with lion (?) head by an unrecorded maker, The Metropolitan Museum of Art

Faience aegis pectoral with lion (?) head

Unrecorded maker

664–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Faience amulet in the form of a hare by an unrecorded maker, The Metropolitan Museum of Art

Faience amulet in the form of a hare

Unrecorded maker

664–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Faience amulet in the form of a recumbent ram by an unrecorded maker, The Metropolitan Museum of Art

Faience amulet in the form of a recumbent ram

Unrecorded maker

664–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Faience amulet of a recumbent lion or sphinx by an unrecorded maker, The Metropolitan Museum of Art

Faience amulet of a recumbent lion or sphinx

Unrecorded maker

664–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Statuette of a lion-headed goddess by an unrecorded maker, The Metropolitan Museum of Art

Statuette of a lion-headed goddess

Unrecorded maker

380–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scarab with a Sphinx and Hieroglyphs

Unrecorded maker

ca. 1080–664 BCE · Faience

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.