Pair of earflare frontals
Maya artist(s)
200–600 CE · Jade (jadeite)
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
248 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
269 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Results for "Fair Ines (No. 24 in "Passages from the"12 records
Institutions answered newest-first by record, interleaved
Earflare
Unrecorded maker
3rd–9th century · Jade
Cleared · Public Domain
liveThe MetSimilar
Earflare
Unrecorded maker
3rd–9th century · Jade
Cleared · Public Domain
liveThe MetSimilar
Earflare Set
Unrecorded maker
3rd–9th century · Jade
Cleared · Public Domain
liveThe MetSimilar
Earflare Set
Unrecorded maker
3rd–9th century · Jade
Cleared · Public Domain
liveThe MetSimilar
Sibyl
Agostino Zoppo (d. 1572)
mid-16th century · Bronze
Cleared · Public Domain
liveThe MetSimilar
Center table
Imperial Armory, Tula (south of Moscow), Russia
ca. 1780–85 · Steel, silver, gilt copper, gilt brass, basswood; replaced mirror glass
Cleared · Public Domain
liveThe MetSimilar
Table
Royal Porcelain Manufactory, Berlin (d. 9999)
ca. 1833–34 · Hard-paste porcelain, gilded bronze, and yellow metal; iron and wood as support materials
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fair Ines (No. 24 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Walter Severn (d. 1904)
1858 · Etching on chine collé
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Jasper Johns (d. 9999)
2018 · Ink on paper or plastic, 24 sheets
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.