Fair Visitors in the Compound of a Buddhist Temple
Katsukawa Shunchō (d. 1795)
ca. 1789 · One sheet of a triptych of woodblock prints; ink and color on paper
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
465 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
361 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 47 matching records exist across the two collections.
Results for "Fair Visitors in the Compound of a Buddh"12 records
Institutions answered newest-first by record, interleaved
Sports of a Country Fair, Part the First
Thomas Rowlandson (d. 1827)
October 5, 1810 · Etching
Cleared · Public Domain
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Sports of a Country Fair, Part the First
Thomas Rowlandson (d. 1827)
October 5, 1810 · Etching
Cleared · Public Domain
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![View in the East Nave; The Greek Slave, by Power [sic], from "Recollections of the Great Exhibition, 1851" by John Absolon, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP328448.jpg)
View in the East Nave; The Greek Slave, by Power [sic], from "Recollections of the Great Exhibition, 1851"
John Absolon (d. 1895)
1851 · Hand-colored lithograph with gum
Cleared · Public Domain
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![[Disabled Union Soldiers Posed in Aid of the U.S. Sanitary Commission at the New York Metropolitan Fair] by J. Gurney & Son, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP272333.jpg)
[Disabled Union Soldiers Posed in Aid of the U.S. Sanitary Commission at the New York Metropolitan Fair]
J. Gurney & Son (d. 1874)
April 1864 · Albumen silver print from glass negative
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Contents, from "Recollections of the Great Exhibition, 1851"
Day & Son, Ltd., London (d. 1867)
1851 · Lithograph
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Part of the French Court, No. 2, from "Recollections of the Great Exhibition, 1851"
Walter Goodall (d. 1889)
1851 · Hand-colored lithograph
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Coalbrookdale Dome, from "Recollections of the Great Exhibition, 1851"
John Absolon (d. 1895)
1851 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View in the East Nave; Godfrey of Bouillon, by Simonis, from "Recollections of the Great Exhibition, 1851"
John Absolon (d. 1895)
1851 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View in the East Nave; The Amazon, by Kiss, from "Recollections of the Great Exhibition, 1851"
John Absolon (d. 1895)
1851 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View in the North Transept, from "Recollections of the Great Exhibition, 1851"
John Absolon (d. 1895)
1851 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oversized [Paper] Theater or Diorama for the IBM Pavilion ‘Progressland’ at the World’s Fair held in New York in 1964
Charles Eames (d. 1978)
1964 · Wood, metal, paint, printed paper
In copyright
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