
Irises
Suzuki Kiitsu 鈴木基一 (d. 1858)
mid-1850s · Diptych of hanging scrolls; ink and color on silk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
326 ms. The Metropolitan Museum of Art, Collection API (Open Access)
341 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 210 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Irises
Suzuki Kiitsu 鈴木基一 (d. 1858)
mid-1850s · Diptych of hanging scrolls; ink and color on silk
Cleared · Public Domain
live
Irises panel
Candace Wheeler (d. 1923)
1883 · Silk embroidered with silk and metallic-wrapped cotton threads, metal sequins, and cut-glass beads
Cleared · Public Domain
live
Wild Roses and Irises
John La Farge (d. 1910)
1887 · Gouache and watercolor on white wove paper
Cleared · Public Domain
live
Irises
Vincent van Gogh (d. 1890)
1890 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fairy and Lion
Thomas Rowlandson (d. 1827)
1770–1827 · Pen and gray and brown ink, watercolor, over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fairy Prince in Love
Richard Doyle (d. 1883)
1870 · Color wood engraving and color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fairy in Irises
Dora Wheeler (d. 1940)
1888 · Watercolor, gouache, and graphite on off-white thick wood pulp wove card
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Magnolias and Irises
Louis C. Tiffany (d. 1933)
ca. 1908 · Leaded Favrile glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In Powder & Crinoline: Old Fairy Tales
Kay Nielsen (d. 1957)
[1913] · Illustrations: photomechanical process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Path through the Irises
Claude Monet (d. 1926)
1914–17 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Giverny
Stephen Shore (d. 9999)
1977 · Chromogenic print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.