Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    920 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 24 matching records exist across the two collections.

Results for "Fall of the Leaf"11 records

Institutions answered newest-first by record, interleaved

Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Fall of Adam and Eve by Hans Burgkmair, The Cleveland Museum of Art

The Fall of Adam and Eve

Hans Burgkmair (d. 1531)

1525, printed later · Print, woodcut on eight sheets of paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Reminiscences of Qinhuai River by Shitao, The Cleveland Museum of Art

Reminiscences of Qinhuai River

Shitao (d. 1707)

1642–1707 · Painting, Album leaf; ink and color on Song paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Nativity: Leaf from a Book of Hours (3 of 6 Excised Leaves) by Henri d'Orquevaulx, The Cleveland Museum of Art

The Nativity: Leaf from a Book of Hours (3 of 6 Excised Leaves)

Henri d'Orquevaulx

c. 1420–30 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) and Text with Illustrated Border (verso) (1 of 3 Excised Leaves) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) and Text with Illustrated Border (verso) (1 of 3 Excised Leaves)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Text with Illustrated Border (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Text with Illustrated Border (verso)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Floor Mosaic: Adam and Eve by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Floor Mosaic: Adam and Eve

Unrecorded maker

late 400s–early 500s CE · Mosaic, marble and stone tesserae

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Insects and Bamboo by an unrecorded maker, The Cleveland Museum of Art

Insects and Bamboo

Unrecorded maker

1200s · Painting, Album leaf; ink and light color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Calendar Page for May (recto) and Calendar Page for June (verso) (2 of 3 Excised Leaves) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Calendar Page for May (recto) and Calendar Page for June (verso) (2 of 3 Excised Leaves)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The heroine who waits anxiously for her absent lover (Utka Nayika) by an unrecorded maker, The Cleveland Museum of Art

The heroine who waits anxiously for her absent lover (Utka Nayika)

Unrecorded maker

c. 1800 · Painting, Gum tempera on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Buddha Calling on Earth to Witness by an unrecorded maker, The Cleveland Museum of Art

Buddha Calling on Earth to Witness

Unrecorded maker

800s · Sculpture, chloritic schist

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.