False door niche block of Merykhufu
Unrecorded maker
ca. 2551–2528 BCE · Limestone
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
445 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
392 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 82 matching records exist across the two collections.
Results for "False Door on the Throne of a Deity, Tom"12 records
Institutions answered newest-first by record, interleaved
Tomb Chapel of Raemkai: False Door on West Wall
Unrecorded maker
ca. 2446–2389 BCE · Limestone, paint
Cleared · Public Domain
liveThe MetSimilar
False door from the tomb of Metjetji
Unrecorded maker
ca. 2353–2323 BCE · Limestone, paint traces
Cleared · Public Domain
liveThe MetSimilar
False Door of the Royal Sealer Neferiu
Unrecorded maker
ca. 2150–2010 BCE · Limestone, paint
Cleared · Public Domain
liveThe MetSimilar
Door Jamb of Rau
Unrecorded maker
ca. 1479–1425 BCE · Limestone
Cleared · Public Domain
liveThe MetSimilar
Door Jamb of Rau
Unrecorded maker
ca. 1479–1425 BCE · Limestone
Cleared · Public Domain
liveThe MetSimilar
Relief from around the false door in the tomb of Bakenrenef, 3 sections
Unrecorded maker
664–610 BCE · Limestone, paint
Cleared · Public Domain
liveThe MetSimilar
Medallion with a seated deity and a male worshiper
Unrecorded maker
ca. 8th–7th century BCE · Silver, gold foil
Cleared · Public Domain
liveThe MetSimilar
Part of a throne with deity on a bull
Unrecorded maker
ca. late 8th–7th century BCE · Bronze, plastic restoration
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Block depicting Niankhwadjet from the frame of the false door niche of her husband Mery
Unrecorded maker
ca. 2575–2520 BCE · Limestone
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Relief fragment from the top of Dagi’s “false door”
Unrecorded maker
ca. 2010–2000 B.C. or ca. 2000–1981 B.C. · Limestone, paint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
False Door on the Throne of a Deity, Tomb of Haremhab
Norman de Garis Davies (d. 1941)
ca. 1314–1300 BCE · Tempera on paper
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.