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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    756 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    478 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 70 matching records exist across the two collections.

Results for "False door from the tomb of Metjetji"12 records

Institutions answered newest-first by record, interleaved

Corner of niche from the tomb of Akhtihotep by an unrecorded maker, The Metropolitan Museum of Art

Corner of niche from the tomb of Akhtihotep

Unrecorded maker

ca. 2575–2551 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Lintel block from the false door of Mery's chapel by an unrecorded maker, The Metropolitan Museum of Art

Lintel block from the false door of Mery's chapel

Unrecorded maker

ca. 2575–2520 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Tomb Chapel of Raemkai: False Door on West Wall by an unrecorded maker, The Metropolitan Museum of Art

Tomb Chapel of Raemkai: False Door on West Wall

Unrecorded maker

ca. 2446–2389 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
False door from the tomb of Metjetji by an unrecorded maker, The Metropolitan Museum of Art

False door from the tomb of Metjetji

Unrecorded maker

ca. 2353–2323 BCE · Limestone, paint traces

Cleared · Public Domain

live
The MetSimilar
False Door of the Royal Sealer Neferiu by an unrecorded maker, The Metropolitan Museum of Art

False Door of the Royal Sealer Neferiu

Unrecorded maker

ca. 2150–2010 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Fragment from a tomb door by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a tomb door

Unrecorded maker

ca. 2150–1981 B.C. · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Fragment from a tomb door by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a tomb door

Unrecorded maker

ca. 2150–1981 B.C. · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Fragment from a tomb door by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a tomb door

Unrecorded maker

ca. 2150–1981 B.C. · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Relief from around the false door in the tomb of Bakenrenef, 3 sections by an unrecorded maker, The Metropolitan Museum of Art

Relief from around the false door in the tomb of Bakenrenef, 3 sections

Unrecorded maker

664–610 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Block depicting Niankhwadjet from the frame of the false door niche of her husband Mery

Unrecorded maker

ca. 2575–2520 BCE · Limestone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relief fragment from the top of Dagi’s “false door”

Unrecorded maker

ca. 2010–2000 B.C. or ca. 2000–1981 B.C. · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

False Door on the Throne of a Deity, Tomb of Haremhab

Norman de Garis Davies (d. 1941)

ca. 1314–1300 BCE · Tempera on paper

In copyright

live
The MetSimilar

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