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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    260 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    509 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Falstaff with Mrs. Ford and Mrs. Page (S"11 records

Institutions answered newest-first by record, interleaved

Mrs. Gwyn & Mrs. Bunbury in the Characters of The Merry Wives of Windsor by William Dickinson, The Metropolitan Museum of Art

Mrs. Gwyn & Mrs. Bunbury in the Characters of The Merry Wives of Windsor

William Dickinson (d. 1823)

1780 · Mezzotint; first state

Cleared · Public Domain

live
The MetSimilar
Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5) by Henry Fuseli, The Metropolitan Museum of Art

Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5)

Henry Fuseli (d. 1825)

1790 · Pen and brown ink over faint graphite

Cleared · Public Domain

live
The MetSimilar
Falstaff at Herne's Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5) by Michele Beneditti, The Metropolitan Museum of Art

Falstaff at Herne's Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5)

Michele Beneditti (d. 1810)

May 30, 1793 · Stipple engraving and etching

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1

Rudolph Ackermann, London (d. 1832)

January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar
William Shakespeare by John Cochran, The Metropolitan Museum of Art

William Shakespeare

John Cochran (d. 1865)

1827 · Stipple engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Country Seats of the United States of North American, with Some Scenes Connected with Them

William Russell Birch (d. 1834)

1808 · Illustrations: etching, stipple and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Mason Jackson (d. 1903)

1865–70 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Loving Cup

Tiffany & Co. (d. 9999)

1891 · silver gilt

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Page, Volume 2

Edward Gordon Craig (d. 1966)

1899 · Illustrations: woodcuts, some hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fountain in Piazza Scossa Cavalli

Rudolph Ruzicka (d. 1978)

1914 · Wood engraving, proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Upper Basin of the Fountain in the Piazza Scossa Cavalli

Rudolph Ruzicka (d. 1978)

1914 · Wood engraving, proof

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.