
Mrs. Gwyn & Mrs. Bunbury in the Characters of The Merry Wives of Windsor
William Dickinson (d. 1823)
1780 · Mezzotint; first state
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
260 ms. The Metropolitan Museum of Art, Collection API (Open Access)
509 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 15 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Mrs. Gwyn & Mrs. Bunbury in the Characters of The Merry Wives of Windsor
William Dickinson (d. 1823)
1780 · Mezzotint; first state
Cleared · Public Domain
live
Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5)
Henry Fuseli (d. 1825)
1790 · Pen and brown ink over faint graphite
Cleared · Public Domain
live
Falstaff at Herne's Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5)
Michele Beneditti (d. 1810)
May 30, 1793 · Stipple engraving and etching
Cleared · Public Domain
live
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1
Rudolph Ackermann, London (d. 1832)
January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples
Cleared · Public Domain
live
William Shakespeare
John Cochran (d. 1865)
1827 · Stipple engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Country Seats of the United States of North American, with Some Scenes Connected with Them
William Russell Birch (d. 1834)
1808 · Illustrations: etching, stipple and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Mason Jackson (d. 1903)
1865–70 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Loving Cup
Tiffany & Co. (d. 9999)
1891 · silver gilt
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Page, Volume 2
Edward Gordon Craig (d. 1966)
1899 · Illustrations: woodcuts, some hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountain in Piazza Scossa Cavalli
Rudolph Ruzicka (d. 1978)
1914 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Upper Basin of the Fountain in the Piazza Scossa Cavalli
Rudolph Ruzicka (d. 1978)
1914 · Wood engraving, proof
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.