
Female Term, seated figure, and fantastical creature (recto); Satyr and study of a woman and child (verso)
Andrés de Melgar (d. 1554)
ca. 1545–60 · Pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2216 ms. The Metropolitan Museum of Art, Collection API (Open Access)
311 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 311 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Female Term, seated figure, and fantastical creature (recto); Satyr and study of a woman and child (verso)
Andrés de Melgar (d. 1554)
ca. 1545–60 · Pen and brown ink
Cleared · Public Domain
live
Semi-Circular Design of Battle of Sea Gods with Border of Sea Creatures
Anonymous, Italian, late 16th century (d. 1600)
1570–1620 · Pen and brown ink, brush and brown wash, over black chalk
Cleared · Public Domain
live
Horizontal Panel Design Filled with a Meandering Acanthus Rinceau and Two Fantastical Creatures.
Anonymous, Italian, Venetian, 17th century (d. 1700)
17th century (first half) · Pen and brown ink over leadpoint
Cleared · Public Domain
live
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau
Anonymous, Italian, Venetian, 17th century (d. 1700)
17th century (first half) · Pen and brown ink over leadpoint
Cleared · Public Domain
live
Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century (d. 1700)
17th century (first half) · Pen and brown ink over leadpoint
Cleared · Public Domain
live
Horizontal Panel Design with Four Hybrid Male Figures and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century (d. 1700)
17th century (first half) · Pen and brown ink over leadpoint
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Cover of a Cup
Jacques Androuet Du Cerceau (d. 1585)
ca. 1546 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Cover of a Cup
Jacques Androuet Du Cerceau (d. 1585)
ca. 1546 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Cover of a Cup
Jacques Androuet Du Cerceau (d. 1585)
ca. 1546 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a vase with fantastical creatures reminiscent of a mermaid and merman, from Livre de Vases (Book of Vases), plate 11
A. Bouchet
1742–50 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for a Chatelaine with Grotesques, Fantastical Animals, Scrolling Motifs, and Interlacing Strapwork
Georges Le Saché (d. 1877)
ca. 1873 · Pencil, pen and black ink, watercolor, and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fantastical Creatures: for "Vengeance of the Female" (Bradley: His Book, July 1896)
William Henry Bradley (d. 1962)
1896 · Black ink
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.