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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1025 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    368 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 618 matching records exist across the two collections.

Results for "Farm Buildings by a Pool"12 records

Institutions answered newest-first by record, interleaved

A Farm Building by Emanuel Murant, The Metropolitan Museum of Art

A Farm Building

Emanuel Murant (d. 1700)

mid-to late 17th century · Black chalk, brush and gray wash; framing line in black chalk or graphite

Cleared · Public Domain

live
The MetSimilar
Farm Buildings beside a Waterway by Jean Honoré Fragonard, The Metropolitan Museum of Art

Farm Buildings beside a Waterway

Jean Honoré Fragonard (d. 1806)

ca. 1765–70 · Black chalk, pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Landscape with a Brook and Farm Buildings by Ferdinand Kobell, The Metropolitan Museum of Art

Landscape with a Brook and Farm Buildings

Ferdinand Kobell (d. 1799)

late 18th century · Pen and brown ink; framing line in pen and brown ink, by the artist;

Cleared · Public Domain

live
The MetSimilar
Farm Building by a Pond by John Sell Cotman, The Metropolitan Museum of Art

Farm Building by a Pond

John Sell Cotman (d. 1842)

1808–11(?) · Watercolor over graphite

Cleared · Public Domain

live
The MetSimilar
Liverdun by James McNeill Whistler, The Metropolitan Museum of Art

Liverdun

James McNeill Whistler (d. 1903)

1858 · Etching on tan chine on off-white wove paper (chine collé); third state of three (Glasgow)

Cleared · Public Domain

live
The MetSimilar
Liverdun by James McNeill Whistler, The Metropolitan Museum of Art

Liverdun

James McNeill Whistler (d. 1903)

1858 · Etching; third state of three (Glasgow); printed in black ink on fine antique gray laid paper

Cleared · Public Domain

live
The MetSimilar
Liverdun by James McNeill Whistler, The Metropolitan Museum of Art

Liverdun

James McNeill Whistler (d. 1903)

1858 · Etching, printed in black ink on tan chine on off-white wove paper (chine collé); third state of three (Glasgow)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Farm Buildings by a Pool

John Crome (d. 1821)

1812–13 · Etching on chine collé; first state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Farm Yard

Robert Havell Jr. (d. 1878)

1833 · Aquatint, hand-colored with yellow, red, brown, green, and blue washes

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Farm Buildings by a Pool, from "Norfolk Picturesque Scenery"

John Crome (d. 1821)

1812–34 · Etching on chine collé; second (?) state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

American Farm Scenes, No. 2

Frances Flora Bond Palmer (d. 1876)

1853 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodlands in Winter

Currier & Ives (d. 1907)

1868–94 · Hand-colored lithograph

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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