
Petticoat panel
Unrecorded maker
third quarter 18th century · Cotton, painted resist and mordant, dyed
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
568 ms. The Metropolitan Museum of Art, Collection API (Open Access)
291 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 51 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Petticoat panel
Unrecorded maker
third quarter 18th century · Cotton, painted resist and mordant, dyed
Cleared · Public Domain
live
The farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
The Farmer's Wife (part of a "Tithe Pig" group)
Ralph Wood the Younger (d. 1795)
ca. 1770 · Lead-glazed earthenware
Cleared · Public Domain
live
Farmer's Wife; Farmer
Unrecorded maker
1760–1765 · Ceramic, soft-paste porcelain
Cleared · CC0
live
Farmer's wife
Ralph Wood the Elder (d. 1772)
ca. 1820 · Lead-glazed earthenware
Cleared · Public Domain
live
Farmer's Wife
Unrecorded maker
1760–1765 · Ceramic, soft-paste porcelain
Cleared · CC0
live![[Three Portraits in Original Exhibition Frame] by Louis-Adolphe Humbert de Molard, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-33590-001.jpg)
[Three Portraits in Original Exhibition Frame]
Louis-Adolphe Humbert de Molard (d. 1874)
1850 · Salted paper print
Cleared · Public Domain
live
She was "Sorry She Spoke"
Charles Samuel Keene (d. 1891)
1870–1891 · Pen and brown ink, brush and wash, touches of white gouache (bodycolor)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Corned Beef
Nathaniel Currier (d. 1888)
c. 1840–1850 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Head of a Young Farmer's Wife
Wilhelm Maria Hubertus Leibl (d. 1900)
1874 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Farmer (Farmer's Wife?) with a Stick
Wilhelm Maria Hubertus Leibl (d. 1900)
1874 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Farmer's Wife
Pablo Picasso (d. 1973)
1908 · Charcoal on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.