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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    671 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    849 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 258 matching records exist across the two collections.

Results for "Farming scene"12 records

Institutions answered newest-first by record, interleaved

Relief depicting cattle farming by an unrecorded maker, The Metropolitan Museum of Art

Relief depicting cattle farming

Unrecorded maker

ca. 2323–2150 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Spring and Autumn Farming by Kō Sūkoku, The Cleveland Museum of Art

Spring and Autumn Farming

Kō Sūkoku (d. 1804)

1700s · Painting, Pair of six-panel folding screens, ink, light color, gold, and silver on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Pennsylvania Colonial Currency – Fifty Shillings by Hall and Sellers, Philadelphia, Pennsylvania, The Metropolitan Museum of Art

Pennsylvania Colonial Currency – Fifty Shillings

Hall and Sellers, Philadelphia, Pennsylvania (d. 1772)

October 5, 1773 · Engraving and typeset, printed in red and black ink

Cleared · Public Domain

live
The MetSimilar
Spring and Autumn Farming (Autumn) by Kō Sūkoku, The Cleveland Museum of Art

Spring and Autumn Farming (Autumn)

Kō Sūkoku (d. 1804)

1700s · Painting, Six-panel folding screen, ink, light color, gold, and silver on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plate 5, from "World in Miniature" by Thomas Rowlandson, The Metropolitan Museum of Art

Plate 5, from "World in Miniature"

Thomas Rowlandson (d. 1827)

1816 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Spring and Autumn Farming (Spring) by Kō Sūkoku, The Cleveland Museum of Art

Spring and Autumn Farming (Spring)

Kō Sūkoku (d. 1804)

1700s · Painting, Six-panel folding screen, ink, light color, gold, and silver on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Farming scene, "Mittersill im Pinzgau" by Johann Christoph Erhard, The Metropolitan Museum of Art

Farming scene, "Mittersill im Pinzgau"

Johann Christoph Erhard (d. 1822)

early 19th century · Etching; third state

Cleared · Public Domain

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The MetSimilar
Farming and Herding Buffalo in Summer by Kano Hideyori, The Cleveland Museum of Art

Farming and Herding Buffalo in Summer

Kano Hideyori

mid- to late 1500s · Painting, hanging scroll; ink and light color on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Farming scene by Thomas Rowlandson, The Metropolitan Museum of Art

Farming scene

Thomas Rowlandson (d. 1827)

1780–1827 · Watercolor, graphite, pen and ink

Cleared · Public Domain

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The MetSimilar
Greeting the Spring by Wu Bin, The Cleveland Museum of Art

Greeting the Spring

Wu Bin (d. 1626)

1600 · Painting, handscroll; ink and light color on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Spring Farming Scene by Katsushika Isai, The Metropolitan Museum of Art

Spring Farming Scene

Katsushika Isai (d. 1880)

1868 · Folding fan, remounted as a hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Flowers of a Hundred Worlds (Momoyogusa): Farming Village in Spring (Harudenka) by Kamisaka Sekka, The Cleveland Museum of Art

Flowers of a Hundred Worlds (Momoyogusa): Farming Village in Spring (Harudenka)

Kamisaka Sekka (d. 1942)

1909–10 · Bound Volume, color woodcuts with gold and silver

Cleared · CC0

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Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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