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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1036 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    469 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Farms, cattle with herdsmen and milkmaid"12 records

Institutions answered newest-first by record, interleaved

Tomb Chapel of Raemkai: East Wall by an unrecorded maker, The Metropolitan Museum of Art

Tomb Chapel of Raemkai: East Wall

Unrecorded maker

ca. 2446–2389 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Limestone Geryon by an unrecorded maker, The Metropolitan Museum of Art

Limestone Geryon

Unrecorded maker

2nd half of the 6th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone statuette of the Triple Geryon by an unrecorded maker, The Metropolitan Museum of Art

Limestone statuette of the Triple Geryon

Unrecorded maker

early 5th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Farms, cattle with herdsmen and milkmaids in the foreground from Multifariarum casularum ruriumque lineamenta curiose ad vivum expressa by Johannes van Doetecum I, The Metropolitan Museum of Art

Farms, cattle with herdsmen and milkmaids in the foreground from Multifariarum casularum ruriumque lineamenta curiose ad vivum expressa

Johannes van Doetecum I (d. 1605)

1559–61 · Etching; fourth state of five

Cleared · Public Domain

live
The MetSimilar
Landscape with Cattle and a Milkmaid by Jan van Noordt, The Metropolitan Museum of Art

Landscape with Cattle and a Milkmaid

Jan van Noordt (d. 1681)

1644 · Etching and drypoint

Cleared · Public Domain

live
The MetSimilar
Herdsmen with Cattle and Sheep in Italianate Landscape by Nicolaes Berchem, The Metropolitan Museum of Art

Herdsmen with Cattle and Sheep in Italianate Landscape

Nicolaes Berchem (d. 1683)

mid-17th–late 17th century · Black chalk, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Landscape with Herdsmen and Their Cattle by Jordanus Hoorn, The Metropolitan Museum of Art

Landscape with Herdsmen and Their Cattle

Jordanus Hoorn (d. 1833)

1785 · Pen and brown and gray ink, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle by Thomas Gainsborough, The Metropolitan Museum of Art

Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

Thomas Gainsborough (d. 1788)

1797 · Hand-colored soft-ground etching and aquatint; third state of three

Cleared · Public Domain

live
The MetSimilar
Cattle and sheep at resting at the edge of a forest by George Barret, the younger, The Metropolitan Museum of Art

Cattle and sheep at resting at the edge of a forest

George Barret, the younger (d. 1842)

ca. 1840 · Watercolor and gouache (bodycolor) over graphite, with reductive techniques and gum arabic

Cleared · Public Domain

live
The MetSimilar
[Major General William Tecumseh Sherman Wearing Mourning Armband] by Brady & Co., The Metropolitan Museum of Art

[Major General William Tecumseh Sherman Wearing Mourning Armband]

Brady & Co. (d. 1889)

1865 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with Herdsman and Cattle

François Collignon (d. 1687)

ca. 1643–46 · Etching, state i

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Wolf, the Lamb, and the Crane (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)

Wenceslaus Hollar (d. 1677)

1665 · Etching; only state

In copyright

live
The MetSimilar

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