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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    162 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    316 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Fastening a Corset – A Passing Conquest,"7 records

Institutions answered newest-first by record, interleaved

Ear Spool by an unrecorded maker, The Metropolitan Museum of Art

Ear Spool

Unrecorded maker

450–1000 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Ear Spool by an unrecorded maker, The Metropolitan Museum of Art

Ear Spool

Unrecorded maker

450–1000 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Allegory of Virtues and Vices at the Court of Charles V by Hans Daucher, The Metropolitan Museum of Art

Allegory of Virtues and Vices at the Court of Charles V

Hans Daucher (d. 1538)

ca. 1522 · Honestone (Jurassic limestone), traces of gilding

Cleared · Public Domain

live
The MetSimilar
Fastening a Corset – A Passing Conquest, from "Elles" by Henri de Toulouse-Lautrec, The Metropolitan Museum of Art

Fastening a Corset – A Passing Conquest, from "Elles"

Henri de Toulouse-Lautrec (d. 1901)

1896 · Crayon, brush and spatter lithograph with scraper printed in five colors on wove paper

Cleared · Public Domain

live
The MetSimilar
Fastening a Corset, from "Elles" by Henri de Toulouse-Lautrec, The Metropolitan Museum of Art

Fastening a Corset, from "Elles"

Henri de Toulouse-Lautrec (d. 1901)

1896 · Lithograph printed in five colors on wove paper

Cleared · Public Domain

live
The MetSimilar
The Passing of Venus by Sir Edward Burne-Jones, The Metropolitan Museum of Art

The Passing of Venus

Sir Edward Burne-Jones (d. 1898)

1898 · Gouache (bodycolor) and metallic paint on cardboard

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Corset

The H. & W. Company (d. 1950)

1915 · cotton, bone, metal, elastic

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.