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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    906 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    257 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9,682 matching records exist across the two collections.

Results for "Female Figure (tunjo)"12 records

Institutions answered newest-first by record, interleaved

Female Figure by Valdivia artist(s), The Metropolitan Museum of Art

Female Figure

Valdivia artist(s)

3000 BCE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Female figure by Chupícuaro artist(s), The Metropolitan Museum of Art

Female figure

Chupícuaro artist(s)

400–100 BCE · Ceramic, pigment

Cleared · Public Domain

live
The MetSimilar
Female Figure by an unrecorded maker, The Metropolitan Museum of Art

Female Figure

Unrecorded maker

1st century BCE–3rd century CE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Female Figure (tunjo) by an unrecorded maker, The Metropolitan Museum of Art

Female Figure (tunjo)

Unrecorded maker

10th–16th century · Gold

Cleared · Public Domain

live
The MetSimilar
Female Figure (tunjo) by an unrecorded maker, The Metropolitan Museum of Art

Female Figure (tunjo)

Unrecorded maker

10th–16th century · Gold

Cleared · Public Domain

live
The MetSimilar
Male Figure (tunjo) by an unrecorded maker, The Metropolitan Museum of Art

Male Figure (tunjo)

Unrecorded maker

10th–16th century · Gold

Cleared · Public Domain

live
The MetSimilar
Male Figure (tunjo) by an unrecorded maker, The Metropolitan Museum of Art

Male Figure (tunjo)

Unrecorded maker

10th–16th century · Gold

Cleared · Public Domain

live
The MetSimilar
Male Figure (tunjo) by an unrecorded maker, The Metropolitan Museum of Art

Male Figure (tunjo)

Unrecorded maker

10th–mid-16th century · Gold

Cleared · Public Domain

live
The MetSimilar
Male Figure on Stool (tunjo) by an unrecorded maker, The Metropolitan Museum of Art

Male Figure on Stool (tunjo)

Unrecorded maker

10th–16th century · Gold

Cleared · Public Domain

live
The MetSimilar
Serpent (tunjo) by an unrecorded maker, The Metropolitan Museum of Art

Serpent (tunjo)

Unrecorded maker

10th–16th century · Gold

Cleared · Public Domain

live
The MetSimilar
Female Figure (tunjo) by an unrecorded maker, The Metropolitan Museum of Art

Female Figure (tunjo)

Unrecorded maker

10th–16th century · Gold (cast)

Cleared · Public Domain

live
The MetSimilar
Male Figure (tunjo) by an unrecorded maker, The Metropolitan Museum of Art

Male Figure (tunjo)

Unrecorded maker

10th–16th century · Gold

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.