Female Figure
Unrecorded maker
10th century BCE · Ceramic
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
323 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
431 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 458 matching records exist across the two collections.
Results for "Female Impersonator, New York"12 records
Institutions answered newest-first by record, interleaved
Female figure
Chupícuaro artist(s)
400–100 BCE · Ceramic, pigment
Cleared · Public Domain
liveThe MetSimilar
Female figure
Chupícuaro artist(s)
400–100 BCE · Ceramic, pigment
Cleared · Public Domain
liveThe MetSimilar
Female figure
Chupícuaro artist(s)
400–100 BCE · Ceramic, pigment
Cleared · Public Domain
liveThe MetSimilar
Female Figure
Chupícuaro artist(s)
400 – 100 BCE · Ceramic, pigment
Cleared · Public Domain
liveThe MetSimilar
Kneeling female figure
Lagunillas artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
liveThe MetSimilar
![E PLURIBUS UNUM [New York State seal] by Thomas Mayer, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ad/web-large/24538.jpg)
E PLURIBUS UNUM [New York State seal]
Thomas Mayer (d. 1838)
ca. 1826–ca. 1835 · Earthenware, transfer-printed
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Female Torso by Maillol, The Museum of Modern Art, New York]
Walker Evans (d. 1975)
1929 · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Female Figure (Tetepeku)
Unrecorded maker
19th–early 20th century · Wood, paint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Female Impersonator, New York
Lisette Model (d. 1983)
ca. 1945 · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
First New York Film Festival
Larry Rivers (d. 2002)
1963 · Off-set lithograph in four colors
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Times Square, New York
Thomas Struth (d. 9999)
2000 · Chromogenic print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.