
Bronze relief of a veiled woman riding a sea-goat
Unrecorded maker
4th century BCE · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
438 ms. The Metropolitan Museum of Art, Collection API (Open Access)
314 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 263 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bronze relief of a veiled woman riding a sea-goat
Unrecorded maker
4th century BCE · Bronze
Cleared · Public Domain
live
Female adult goat
Unrecorded maker
second half 18th century · Polychromed terracotta body, wooden legs, metal horns
Cleared · Public Domain
live
Male adult goat
Unrecorded maker
second half 18th century · Polychromed terracotta body, wooden legs, metal horns
Cleared · Public Domain
live
Standing female goat
Unrecorded maker
late 18th–early 19th century · Polychromed terracotta body with wooden ears and horns; lead eyes
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Goat Herder (La gardeuse de chèvres)
Charles-François Daubigny (d. 1878)
1862 · Cliché-verre; glass plate
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Twin Figure: Female (Ibeji)
Ijebu-Yoruba artist
19th–20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Twin Figure: Female (Ibeji)
Ibuke Compound
19th–20th century · Wood, beads, camwood powder
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Twin Figure: Female (Ibeji)
Yoruba artist
19th–20th century · Wood, pigment, beads
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Twin Figure: Female (Ibeji)
Yoruba artist
19th–20th century · Wood, beads
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Twin Figure: Female (Ibeji)
Oyo-Yoruba artist
19th–20th century · Wood, camwood powder, beads, nails, indigo
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Twin Figure: Female (Ibeji)
Agbonbiofe
19th–20th century · Wood, blueing, metal, beads
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Twin Figure: Female (Ibeji)
Yoruba artist
19th–20th century · Wood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.