Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    485 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    467 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,067 matching records exist across the two collections.

Results for "Female effigy vessel"12 records

Institutions answered newest-first by record, interleaved

Vessel in the Shape of a Female by an unrecorded maker, The Metropolitan Museum of Art

Vessel in the Shape of a Female

Unrecorded maker

ca. 1000–500 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Vessel by an unrecorded maker, The Cleveland Museum of Art

Vessel

Unrecorded maker

early 1900s · Vessels, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Miniature Effigy Vessel by an unrecorded maker, The Metropolitan Museum of Art

Miniature Effigy Vessel

Unrecorded maker

3rd century BCE · Ceramic, post-fired paint

Cleared · Public Domain

live
The MetSimilar
Effigy bottle by Wari artist(s), The Metropolitan Museum of Art

Effigy bottle

Wari artist(s)

650–1000 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Female effigy vessel by Colima artist(s), The Metropolitan Museum of Art

Female effigy vessel

Colima artist(s)

1200–1500 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Male effigy vessel by Colima artist(s), The Metropolitan Museum of Art

Male effigy vessel

Colima artist(s)

1200–1500 CE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Effigy vessel by Huastec artist(s), The Metropolitan Museum of Art

Effigy vessel

Huastec artist(s)

900–1521 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Miniature female effigy by Inca artist(s), The Metropolitan Museum of Art

Miniature female effigy

Inca artist(s)

1400–1535 CE · Gold-silver alloy

Cleared · Public Domain

live
The MetSimilar
Male Effigy Vessel by an unrecorded maker, The Metropolitan Museum of Art

Male Effigy Vessel

Unrecorded maker

15th–16th century · Ceramic, pigment

Cleared · Public Domain

live
The MetSimilar
Standing female figure carrying a vessel by Wenceslaus Hollar, The Metropolitan Museum of Art

Standing female figure carrying a vessel

Wenceslaus Hollar (d. 1677)

1645 · Etching: only state

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bird Effigy Vessel

Unrecorded maker

1300–1400 CE · Ceramic, pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Standing female figure carrying a vessel

Wenceslaus Hollar (d. 1677)

1645 · Etching; only state

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.