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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    231 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    272 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,782 matching records exist across the two collections.

Results for "Female figure with mortar and pestle"10 records

Institutions answered newest-first by record, interleaved

Female Figure by an unrecorded maker, The Metropolitan Museum of Art

Female Figure

Unrecorded maker

1st century BCE–3rd century CE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Mortar and Pestle made for Abu Bakr 'Ali Malikzad al-Tabrizi by an unrecorded maker, The Metropolitan Museum of Art

Mortar and Pestle made for Abu Bakr 'Ali Malikzad al-Tabrizi

Unrecorded maker

late 12th–early 13th century · Bronze; inlaid with silver and black compound

Cleared · Public Domain

live
The MetSimilar
Figure Pestle by an unrecorded maker, The Metropolitan Museum of Art

Figure Pestle

Unrecorded maker

10th–15th century · Stone

Cleared · Public Domain

live
The MetSimilar
Pestle Finial by an unrecorded maker, The Metropolitan Museum of Art

Pestle Finial

Unrecorded maker

ca. 1500 BCE– ?1600 CE · Stone

Cleared · Public Domain

live
The MetSimilar
Double-Sided Mortar and Pestle by an unrecorded maker, The Metropolitan Museum of Art

Double-Sided Mortar and Pestle

Unrecorded maker

17th century · Stone

Cleared · Public Domain

live
The MetSimilar
Female figure by Ìgbèsànmwà (ivory- and wood- carving guild) artists, The Metropolitan Museum of Art

Female figure

Ìgbèsànmwà (ivory- and wood- carving guild) artists

18th century · Ivory, iron

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Female figure with mortar and pestle

Dogon blacksmith

16th–early 20th century · Wood, iron

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Betel Nut Mortar and Pestle

Unrecorded maker

late 19th–early 20th century · Wood, traces of lime

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Betel-nut Mortar

Unrecorded maker

19th–early 20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Betel-Nut Mortar

Unrecorded maker

late 19th–early 20th century · Wood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.