
Women of Algiers
Eugène Delacroix (d. 1863)
1833 · Lithograph; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2906 ms. The Metropolitan Museum of Art, Collection API (Open Access)
430 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 504 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Women of Algiers
Eugène Delacroix (d. 1863)
1833 · Lithograph; second state of two
Cleared · Public Domain
live
Single Miniature Excised from Boccaccio's Des Cleres et nobles femmes: Queen Medusa and Her Court
Maître François
c. 1470 · Manuscript, tempera and gold on vellum
Cleared · CC0
live
Etudes sur les femmes
Henri de Montaut (d. 1897)
1882–90 · Album containing ink and watercolor drawings
Cleared · Public Domain
live
Femmes musulmanes Syriennes à Beyrouth, Costume de Ville (Two Women)
Félix Bonfils (d. 1885)
c. 1880s · Photograph, Photochrom
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Femmes Vengées
Charles Louis Lingée (d. 1819)
1775 · Book with etchings
In copyright
live
Femmes musulmanes Syriennes à Beyrouth, Costume de Ville
Félix Bonfils (d. 1885)
c. 1867–78 · Photograph, Albumen print from glass plate negative
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nouvelle Galeries de Femmes Célèbrés
Charles Sainte-Beuve (d. 1869)
1872 · Engraving
In copyright
live
Femmes musulmanes Syriennes à Beyrouth, Costume de Ville (Man on a Donkey)
Félix Bonfils (d. 1885)
c. 1880s · Photograph, Photochrom
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chansons de Femmes
Paul Delmet (d. 1904)
1897 · Illustrations: color lithographs
In copyright
live
Femmes musulmanes Syriennes à Beyrouth, Costume de Ville
Félix Bonfils (d. 1885)
c. 1880s · Photograph, Double sided Photochrom
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cover for Chansons de Femmes
Théophile-Alexandre Steinlen (d. 1923)
1897 · Lithograph
In copyright
live
Trissotin Reading to Philaminte, Bélise, and Armande (from act 3, scene 2 of Molière's "Les Femmes Savantes"
Charles Coypel (d. 1752)
probably c. 1725–1726 · Drawing, graphite, graphite wash, and red chalk
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.