
Eagle relief
Toltec artist(s)
900–1200 CE · Andesite or dacite, Maya blue, stucco, red pigment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
890 ms. The Metropolitan Museum of Art, Collection API (Open Access)
442 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 110 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Eagle relief
Toltec artist(s)
900–1200 CE · Andesite or dacite, Maya blue, stucco, red pigment
Cleared · Public Domain
live
Eagle relief
Toltec artist(s)
900–1200 CE · Andesite or dacite, Maya blue, stucco, red pigment
Cleared · Public Domain
live
' 't Huis van Spiring', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Carel Allard (d. 1709)
n.d. · Color engraving (à la poupée)
Cleared · Public Domain
live
Adam and Eve with Charles I and Henrietta Maria
Unrecorded maker
after 1634 · Canvas worked with silk and metal thread; tent and couching stitches
Cleared · Public Domain
live
Design for the Spire of the Church of Our Lady in Copenhagen
Vincents Lerche (d. 1742)
ca. 1738–42 · Pen and black ink with watercolor
Cleared · Public Domain
live
Sampler
Mary Ann Stauffer (d. 1896)
1830 · Silk embroidery on linen
Cleared · Public Domain
live
New England Scenery
Frances Flora Bond Palmer (d. 1876)
1866 · Hand-colored lithograph
Cleared · Public Domain
live
The Public Garden at Pontoise
Camille Pissarro (d. 1903)
1874 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Field Before Trees and a Church Spire, from "Five Landscapes"
Herman Saftleven II (d. 1685)
1627 · Etching; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of the Balloon of Mr. Sadler's
Anonymous, British, early 19th century (d. 1850)
ca. 1811 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Vétheuil
Claude Monet (d. 1926)
1880 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Winter in Union Square
Childe Hassam (d. 1935)
1889–90 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.