
Figure Studies for the Sistine Ceiling (verso)
Michelangelo Buonarroti (d. 1564)
1510–11 · Drawing, red chalk heightened with traces of white
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
1018 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 328 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Figure Studies for the Sistine Ceiling (verso)
Michelangelo Buonarroti (d. 1564)
1510–11 · Drawing, red chalk heightened with traces of white
Cleared · CC0
live
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Michelangelo Buonarroti (d. 1564)
1510–11 · Drawing, red chalk over black chalk or charcoal
Cleared · CC0
live
Allegorical Figure
Bernardo Strozzi (d. 1644)
c. 1635 · Drawing, black chalk with red chalk
Cleared · CC0
live
Male Figure (nkishi)
Unrecorded maker
late 1800s–early 1900s · Sculpture, Wood, glass beads, brass (including upholstery studs), copper alloy, iron alloy, raffia, reedbuck antelope horn, rawhide, animal hair, human teeth, organic material, minerals, and plant fibers
Cleared · CC0
live
Five Figure Studies (verso)
Unrecorded maker
1600s · Drawing, graphite
Cleared · CC0
live
Four Studies of the Head of a Young Italian Woman
Edgar Degas (d. 1917)
1856 · Drawing, graphite
Cleared · CC0
live
Study for "The Romancer" (Le Conteur)
Jean-Antoine Watteau (d. 1721)
c. 1716 · Drawing, red chalk; red and black chalk (upper left figure)
Cleared · CC0
live
Columnar Figure of an Apostle
Unrecorded maker
c. 1180 · Sculpture, limestone
Cleared · CC0
live
Two Studies of a Flayed Man (recto)
Bartolommeo da Arezzo
1554 · Drawing, pen and brown ink and brush and brown wash over black chalk; incised (both figures) and pricked (left figure)
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.