
Drapery Study for a Standing Male Figure in Profile Facing Left
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (d. 1517)
1512–17 · Black chalk, highlighted with white chalk, on tan paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
391 ms. The Metropolitan Museum of Art, Collection API (Open Access)
400 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,598 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Drapery Study for a Standing Male Figure in Profile Facing Left
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (d. 1517)
1512–17 · Black chalk, highlighted with white chalk, on tan paper
Cleared · Public Domain
live
Allegorical Figure
Bernardo Strozzi (d. 1644)
c. 1635 · Drawing, black chalk with red chalk
Cleared · CC0
live
Study after Michelangelo's Giorno (recto and verso)
Jacopo Tintoretto (Jacopo Robusti) (d. 1594)
ca. 1550–55 · Black and white chalk on blue paper
Cleared · Public Domain
live
The Great Jewish Bride
Rembrandt van Rijn (d. 1669)
1634 · Print, etching with drypoint and engraving
Cleared · CC0
live
Study of a seated male figure (Ecce Homo?)
Juan Carreño de Miranda (d. 1685)
ca. 1665–75 · Red chalk and charcoal
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Nude Study]
Germaine Krull (d. 1985)
1930 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nyeleni figure
Bamana numu (blacksmith)
19th–early 20th century · Wood, brass, thread
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nyeleni figure
Bamana numu (blacksmith)
19th–early 20th century · Wood, metal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for Talmont
Ellsworth Kelly (d. 2015)
1951 · Graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Figure Study Number 1
Robert Ranieri (d. 9999)
1963 · Brush and black ink and ink wash on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Figure Study, Number 2
Robert Ranieri (d. 9999)
1963 · Brush and black ink and wash on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "Garrity Necklace, Number 1"
Jim Dine (d. 9999)
1985 · Pastel, charcoal, oil paint, and shellac on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.