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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    391 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    400 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,598 matching records exist across the two collections.

Results for "Figure Study Number 1"12 records

Institutions answered newest-first by record, interleaved

Drapery Study for a Standing Male Figure in Profile Facing Left by Fra Bartolomeo (Bartolomeo di Paolo del Fattorino), The Metropolitan Museum of Art

Drapery Study for a Standing Male Figure in Profile Facing Left

Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (d. 1517)

1512–17 · Black chalk, highlighted with white chalk, on tan paper

Cleared · Public Domain

live
The MetSimilar
Allegorical Figure by Bernardo Strozzi, The Cleveland Museum of Art

Allegorical Figure

Bernardo Strozzi (d. 1644)

c. 1635 · Drawing, black chalk with red chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Study after Michelangelo's Giorno (recto and verso) by Jacopo Tintoretto (Jacopo Robusti), The Metropolitan Museum of Art

Study after Michelangelo's Giorno (recto and verso)

Jacopo Tintoretto (Jacopo Robusti) (d. 1594)

ca. 1550–55 · Black and white chalk on blue paper

Cleared · Public Domain

live
The MetSimilar
The Great Jewish Bride by Rembrandt van Rijn, The Cleveland Museum of Art

The Great Jewish Bride

Rembrandt van Rijn (d. 1669)

1634 · Print, etching with drypoint and engraving

Cleared · CC0

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Cleveland Museum of ArtSimilar
Study of a seated male figure (Ecce Homo?) by Juan Carreño de Miranda, The Metropolitan Museum of Art

Study of a seated male figure (Ecce Homo?)

Juan Carreño de Miranda (d. 1685)

ca. 1665–75 · Red chalk and charcoal

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Nude Study]

Germaine Krull (d. 1985)

1930 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nyeleni figure

Bamana numu (blacksmith)

19th–early 20th century · Wood, brass, thread

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nyeleni figure

Bamana numu (blacksmith)

19th–early 20th century · Wood, metal

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for Talmont

Ellsworth Kelly (d. 2015)

1951 · Graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Figure Study Number 1

Robert Ranieri (d. 9999)

1963 · Brush and black ink and ink wash on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Figure Study, Number 2

Robert Ranieri (d. 9999)

1963 · Brush and black ink and wash on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for "Garrity Necklace, Number 1"

Jim Dine (d. 9999)

1985 · Pastel, charcoal, oil paint, and shellac on paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.