Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    1076 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 151 matching records exist across the two collections.

Results for "Figure and Drapery studies (recto); Thre"12 records

Institutions answered newest-first by record, interleaved

Christ Appearing to Mary Magdalen by Master of the Drapery Studies, The Metropolitan Museum of Art

Christ Appearing to Mary Magdalen

Master of the Drapery Studies (d. 1500)

ca. 1490 · Pen and brown ink, brush and brown wash, and black chalk

Cleared · Public Domain

live
The MetSimilar
Sheet of Figure Studies and Ornamental Motifs (recto and verso) by Vincenzo Tamagni, The Metropolitan Museum of Art

Sheet of Figure Studies and Ornamental Motifs (recto and verso)

Vincenzo Tamagni (d. 1530)

1520–30 · Pen and brown ink over leadpoint

Cleared · Public Domain

live
The MetSimilar
Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso) by Annibale Carracci, The Metropolitan Museum of Art

Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso)

Annibale Carracci (d. 1609)

1583–85 · Red chalk with white chalk highlights, pen and brown ink (recto); red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Nude Figure Studies (recto); Sheet of Figure Studies (verso) by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Nude Figure Studies (recto); Sheet of Figure Studies (verso)

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Nude Demon Encircled by a Serpent, after Michelangelo's Last Judgment; and Other Figure Studies (recto); Figure Studies (verso) by Giovanni Ambrogio Figino, The Metropolitan Museum of Art

Nude Demon Encircled by a Serpent, after Michelangelo's Last Judgment; and Other Figure Studies (recto); Figure Studies (verso)

Giovanni Ambrogio Figino (d. 1608)

1548–1608 · Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, over red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Figure and Drapery studies (recto); Three Studies of a Male Torso for the "Coronation of Marcantonio Pasqualini" (verso) by Andrea Sacchi, The Metropolitan Museum of Art

Figure and Drapery studies (recto); Three Studies of a Male Torso for the "Coronation of Marcantonio Pasqualini" (verso)

Andrea Sacchi (d. 1661)

1641 · Red and white chalk (recto); red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Figure and head-studies (including Bacchus) (recto); four main figure studies repeated from the recto (verso) by Bartholomaeus Ignaz Weiss, The Metropolitan Museum of Art

Figure and head-studies (including Bacchus) (recto); four main figure studies repeated from the recto (verso)

Bartholomaeus Ignaz Weiss (d. 1814)

1745–1815 · Pen and brown ink, brush and brown wash, and red chalk (recto); red chalk and pen and black ink (verso)

Cleared · Public Domain

live
The MetSimilar
Diverse Figure Studies (recto and verso) by Eugène Delacroix, The Metropolitan Museum of Art

Diverse Figure Studies (recto and verso)

Eugène Delacroix (d. 1863)

ca. 1824 · Graphite

Cleared · Public Domain

live
The MetSimilar
Eight Studies of Nude Figures (recto); Figure Studies from the Antique and a Caricature (verso) by Eugène Delacroix, The Metropolitan Museum of Art

Eight Studies of Nude Figures (recto); Figure Studies from the Antique and a Caricature (verso)

Eugène Delacroix (d. 1863)

1817–1820s · Pen and iron gall ink

Cleared · Public Domain

live
The MetSimilar
Studies of a Lion and a Female Nude (recto); Figure Studies (verso) by Eugène Delacroix, The Metropolitan Museum of Art

Studies of a Lion and a Female Nude (recto); Figure Studies (verso)

Eugène Delacroix (d. 1863)

ca. 1844 · Pen and brown ink (recto); graphite (verso) on heavy laid paper

Cleared · Public Domain

live
The MetSimilar
Drapery Studies (recto); Drapery Studies (verso) by Anselm Feuerbach, The Metropolitan Museum of Art

Drapery Studies (recto); Drapery Studies (verso)

Anselm Feuerbach (d. 1880)

1829–80 · Black and white chalk on blue paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

a) Recto: Untitled (Male figure studies)

Reginald Marsh (d. 1954)

ca. 1926 · Black fabricated chalk on paper (recto and verso)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.