
Buddha Preaching
Unrecorded maker
8th century · Copper alloy inlaid with silver and glass or obsidian
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
456 ms. The Metropolitan Museum of Art, Collection API (Open Access)
351 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,381 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Buddha Preaching
Unrecorded maker
8th century · Copper alloy inlaid with silver and glass or obsidian
Cleared · Public Domain
live
Christ Preaching
Federico Zuccaro (Zuccari) (d. 1609)
16th century · Pen and brown ink, brush and brown wash, on brownish paper
Cleared · Public Domain
live
Saint John the Baptist (?) Preaching to a Group of Soldiers
Giovanni Battista Trotti ("Il Malosso") (d. 1619)
16th century · Pen and brown ink, brown and gray wash. Octagonal
Cleared · Public Domain
live
Figure of Monk Preaching to a Group of Figures
Anonymous, Spanish, School of Seville, 17th century (d. 1700)
17th century · Pen and light brown ink with brush and brown-gray wash, over black chalk underdrawing. On off-white paper
Cleared · Public Domain
live
Figure group symbolic of Astronomy
Unrecorded maker
ca. 1775 · Oak and beech, carved and painted
Cleared · Public Domain
live
Figure group symbolic of Geography
Unrecorded maker
ca. 1775 · Oak and beech, carved and painted
Cleared · Public Domain
live
Lessons in Figure Painting in Water Colours
Blanche F. MacArthur (d. 1903)
1880 · Illustrations: color lithographs
Cleared · Public Domain
live
Figure Group
Unrecorded maker
16th–19th century · Wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with a Motif of intertwined Branches
Master F (d. 1540)
ca. 1525–40 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with an ongoing Pattern of Bandwork and Moresques
Master F (d. 1540)
ca. 1525–40 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with a Pattern Design with Knotwork and Banderoles
Master F (d. 1540)
ca. 1525–40 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Roundel with a Moresque Motif
Master F (d. 1540)
ca. 1535–45 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.