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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    2333 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 23,398 matching records exist across the two collections.

Results for "Figure of Pantalone"12 records

Institutions answered newest-first by record, interleaved

Figure of an entertainer by an unrecorded maker, The Metropolitan Museum of Art

Figure of an entertainer

Unrecorded maker

1st–2nd century CE · Earthenware with traces of pigment

Cleared · Public Domain

live
The MetSimilar
Figure of Pantalone by Mennecy Factory, The Cleveland Museum of Art

Figure of Pantalone

Mennecy Factory

c. 1755 · Ceramic, soft-paste porcelain with enamel decoration

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Figure of an entertainer by an unrecorded maker, The Metropolitan Museum of Art

Figure of an entertainer

Unrecorded maker

1st–2nd century CE · Earthenware with traces of pigment

Cleared · Public Domain

live
The MetSimilar
Figure by an unrecorded maker, The Metropolitan Museum of Art

Figure

Unrecorded maker

12th century · Brass; cast, chased, gilded

Cleared · Public Domain

live
The MetSimilar
Figure of Idol by an unrecorded maker, The Metropolitan Museum of Art

Figure of Idol

Unrecorded maker

ca. late 15th–early 16th century · Jadeite, sage-green

Cleared · Public Domain

live
The MetSimilar
Figure of a Nereid by Bernard Palissy, The Metropolitan Museum of Art

Figure of a Nereid

Bernard Palissy (d. 1590)

1600–1610 · Lead-glazed earthenware

Cleared · Public Domain

live
The MetSimilar
Columbine and Pantalone by Meissen Manufactory, The Metropolitan Museum of Art

Columbine and Pantalone

Meissen Manufactory (d. 9999)

ca. 1736 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Pantalone by Cozzi Manufactory, The Metropolitan Museum of Art

Pantalone

Cozzi Manufactory (d. 1812)

ca. 1770 · Soft-paste porcelain

Cleared · Public Domain

live
The MetSimilar
Pantalone by Royal Porcelain Manufactory, Naples, The Metropolitan Museum of Art

Pantalone

Royal Porcelain Manufactory, Naples (d. 1819)

ca. 1790 · Hard-paste porcelain

Cleared · Public Domain

live
The MetSimilar
Figure of Benjamin Franklin by an unrecorded maker, The Metropolitan Museum of Art

Figure of Benjamin Franklin

Unrecorded maker

1835–45 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Figure of Praying Samuel by United States Pottery Company, The Metropolitan Museum of Art

Figure of Praying Samuel

United States Pottery Company (d. 1852)

1852–58 · Parian porcelain

Cleared · Public Domain

live
The MetSimilar
Figure of a Coachman by an unrecorded maker, The Metropolitan Museum of Art

Figure of a Coachman

Unrecorded maker

1830–70 · Parian porcelain

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.