Bust of a priestly figure
Unrecorded maker
400–200 BCE · Limestone
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
499 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
387 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,877 matching records exist across the two collections.
Results for "Figure of Young Man or Woman in Bust-len"12 records
Institutions answered newest-first by record, interleaved
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino (d. 1540)
1530–37 · Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash.
Cleared · Public Domain
liveThe MetSimilar
Study of a Young Woman in Three-quarter Bust-Length
Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)
ca. 1540–42 · Black chalk
Cleared · Public Domain
liveThe MetSimilar
Young woman in bust-length turning to the left
Paolo Veronese (Paolo Caliari) (d. 1588)
1548–88 · Soft, grayish black chalk, with slight highlights in white gouache or chalk
Cleared · Public Domain
liveThe MetSimilar
Young Man and Woman in an Inn
Frans Hals (d. 1666)
1623 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Figure of Young Man or Woman in Bust-length, in Three-Quarter View
Carlo Maratti (d. 1713)
1700–1713 · Black chalk on gray prepared paper
Cleared · Public Domain
liveThe MetSimilar
Bust-length portrait study of a young woman with a striped shawl
Joseph van Aken (d. 1749)
ca. 1740–60 · Black and white chalk, brown ink and graphite on blue laid paper, squared in graphite
Cleared · Public Domain
liveThe MetSimilar
Oval, bust-length portrait study of a young man
Joseph van Aken (d. 1749)
ca. 1740–60 · Black and white chalk and graphite on blue laid paper, squared in graphite
Cleared · Public Domain
liveThe MetSimilar
Bust after the Borghese Moor
Nicolas Cordier (d. 1612)
Probably 18th century · Marble of different colors
Cleared · Public Domain
liveThe MetSimilar
Bust of a Woman
Nicolas Cordier (d. 1612)
Probably 18th century · Marble of different colors
Cleared · Public Domain
liveThe MetSimilar
Man and woman in a landscape (Faust and Marguerite)
Richard Parkes Bonington (d. 1828)
ca. 1826–27 · Pen and brown ink, brush and brown wash, over graphite
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Young Man with a Bull's Mask, Faun, and Profile of a Woman
Pablo Picasso (d. 1973)
1934, printed 1961 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.