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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    367 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Figure of a man reading"10 records

Institutions answered newest-first by record, interleaved

Reading by Berthe Morisot, The Cleveland Museum of Art

Reading

Berthe Morisot (d. 1895)

1873 · Painting, oil on canvas

Cleared · CC0

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Cleveland Museum of ArtSimilar
Study of a Man with Hands in His Pockets by Gustave Caillebotte, The Cleveland Museum of Art

Study of a Man with Hands in His Pockets

Gustave Caillebotte (d. 1894)

1893 · Drawing, black chalk on Arches modern laid paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Merchant (from the Tarocchi, series E: Conditions of Man, #4) by Master of the E-Series Tarocchi, The Cleveland Museum of Art

The Merchant (from the Tarocchi, series E: Conditions of Man, #4)

Master of the E-Series Tarocchi

before 1467 · Print, engraving hand-colored with gold

Cleared · CC0

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Cleveland Museum of ArtSimilar
Old Man Before the Log Bridge by Johann Christoph Erhard, The Cleveland Museum of Art

Old Man Before the Log Bridge

Johann Christoph Erhard (d. 1822)

1819 · Print, etching

Cleared · CC0

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Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Calendar Page for June (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Calendar Page for June (verso)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

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Cleveland Museum of ArtSimilar
Portrait of William Michael Rossetti by Christina Georgina Rossetti, The Cleveland Museum of Art

Portrait of William Michael Rossetti

Christina Georgina Rossetti (d. 1894)

c. 1853 · Drawing, graphite

Cleared · CC0

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Cleveland Museum of ArtSimilar
Weizheng Riding on an Ox by Yamaguchi Sekkei, The Cleveland Museum of Art

Weizheng Riding on an Ox

Yamaguchi Sekkei (d. 1732)

1687 · Painting, hanging scroll; ink on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Landscape by an unrecorded maker, The Cleveland Museum of Art

Landscape

Unrecorded maker

1644–1911 · Stone, soapstone

Cleared · CC0

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Cleveland Museum of ArtSimilar
Walking Stick of Moses Seymour by an unrecorded maker, The Cleveland Museum of Art

Walking Stick of Moses Seymour

Unrecorded maker

1774 · Miscellaneous, wood and metal

Cleared · CC0

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Cleveland Museum of ArtSimilar
Paintings after Ancient Masters by Chen Hongshou, The Cleveland Museum of Art

Paintings after Ancient Masters

Chen Hongshou (d. 1652)

1598–1652 · Painting, Double album with twenty-two leaves; ink or ink and color on silk

Cleared · CC0

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Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.