
The Rich Man at His Table, from "The Parable of the Rich Man and Lazarus"
Heinrich Aldegrever (d. 1561)
1554 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
432 ms. The Metropolitan Museum of Art, Collection API (Open Access)
382 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,511 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Rich Man at His Table, from "The Parable of the Rich Man and Lazarus"
Heinrich Aldegrever (d. 1561)
1554 · Engraving
Cleared · Public Domain
live
Figure Studies: Woman holding a Shield, a Dancing Female, and a Priest Supported at an Altar before a Group of Onlookers
Bernardino Poccetti (d. 1612)
1612 · Red chalk
Cleared · Public Domain
live
A Group of Men and Women Playing Chamber Music Within a Portico, Surmounted by Statues of Apollo and Female Figures, and Surrounded by Putti
Jan de Bray (d. 1697)
1652 · Pen and brown ink, gray wash, over black chalk; framing line in pen and brown ink, by the artist
Cleared · Public Domain
live
A large group gathered in a courtyard before a domed structure; musicians play at left; set design from 'Il Fuoco Eterno'
Mathäus Küsel (d. 1682)
1674 · Etching
Cleared · Public Domain
live
Figures Gathered Before a Group of Buildings, One with a Colonnade (recto); Corner View of a Building all'antica (verso)
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush and brown wash on light tan paper (recto and verso); recto has lunette-shaped framing outline
Cleared · Public Domain
live
"Prince Feasting on a Balcony", Folio from the Davis Album
Unrecorded maker
late 17th–early 18th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
Plate 7, from "World in Miniature"
Thomas Rowlandson (d. 1827)
1816 · Hand-colored etching
Cleared · Public Domain
live
Group Taking Tea at Lacock Abbey
William Henry Fox Talbot (d. 1877)
August 17, 1843 · Salted paper print from paper negative
Cleared · Public Domain
live
Plate 7: a street musician and a child accomplice playing before a group of seated figures, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer (d. 1877)
1850 · Etching
Cleared · Public Domain
live
Figures and a Dog in a Landscape
Narcisse-Virgile Diaz de la Peña (d. 1876)
1852 · Oil on wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Opening of the International Exhibition, from "Illustrated London News"
Anonymous, British, 19th century (d. 1900)
August 30, 1862 · Colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Repetitive Pattern with Two Figures in Fezes Before Gold Crescent Moons
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.